Yearbook of Comparative Criticism, Volume 6Joseph Strelka |
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Page 55
... context and from such a point of view it makes no difference , in terms of a real opposition of meta- physical negativity and positivity , whether one speaks of the immu- tability or of the changefulness of Nature , for both FAR EASTERN ...
... context and from such a point of view it makes no difference , in terms of a real opposition of meta- physical negativity and positivity , whether one speaks of the immu- tability or of the changefulness of Nature , for both FAR EASTERN ...
Page 90
... context . His language must be one that preexisted this poem : it is necessarily generic inso- far as it is drawn from other experiences of other poems , while the language of this poem should be an original synthesis that violates and ...
... context . His language must be one that preexisted this poem : it is necessarily generic inso- far as it is drawn from other experiences of other poems , while the language of this poem should be an original synthesis that violates and ...
Page 170
... context of the times , a commitment to a struggle with pen and ink against Nazism . It should , however , be recapitulated , as it has been doubted and as , in the correspondence with his friend Gershom Scholem in Jerusalem , Benjamin ...
... context of the times , a commitment to a struggle with pen and ink against Nazism . It should , however , be recapitulated , as it has been doubted and as , in the correspondence with his friend Gershom Scholem in Jerusalem , Benjamin ...
Contents
THE CONCEPT OF STRATA AND PHASES IN ROMAN | 10 |
HAIKU AND | 40 |
THE CRITIC AS PERSON AND PERSONA | 70 |
Copyright | |
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absolutism aesthetic concretions aesthetic value artistic aspects attitude Bashô beauty become Benjamin Chinese cognition conceived concept Confucian consciousness creative critic's personality emotions enlightenment Erkennen essay existence existential experience expression fact faculty feel function haiku haiku-poem Hammer's human Husserl Ibid ideas identity Iliad imagination individual interpretation Islamic judgment Kant literarische Kunstwerk literary art literary criticism literary cycle literary theory literature means ment metaphor metaphysical mind mode monk moral moral absolutism mystical nature negative Nothingness notion object observer particular perceived perception and understanding Persian literature Persian poetry phenomenal phenomenology philosophy poem poet position pre-aesthetic principles psychological pure qualities reader reality relation René Wellek Roman Ingarden schema scholar sense spiritual Ssu-k'ung statement stratum structure Sung dynasty synthesis synthetic Taoist taste theoretical theory things tion Tokyo tradition transcendental translation true tz'u University verse wabi Walter Benjamin words writing