Yearbook of Comparative Criticism, Volume 6Joseph Strelka |
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Page x
... considered in steps which correspond to these four creative forces underlying poetic utterance . Again , at least the third and the fourth steps are de- cidedly beyond the reach of " scientific methods . " There are two basic modes of ...
... considered in steps which correspond to these four creative forces underlying poetic utterance . Again , at least the third and the fourth steps are de- cidedly beyond the reach of " scientific methods . " There are two basic modes of ...
Page 2
... considered to be an imitation of nature and that , for it to be pleasing and edifying ( in the sense of Horace's dulce et utile ) , both the subject - matter and the execution had to satisfy standards of beau- ty that were considered ...
... considered to be an imitation of nature and that , for it to be pleasing and edifying ( in the sense of Horace's dulce et utile ) , both the subject - matter and the execution had to satisfy standards of beau- ty that were considered ...
Page 45
... considered negative values in the com- monly accepted way of thinking are for the man of wabi positive values . Furthermore , the man of wabi often suggests and even open- ly declares that being entirely valueless and useless in the ...
... considered negative values in the com- monly accepted way of thinking are for the man of wabi positive values . Furthermore , the man of wabi often suggests and even open- ly declares that being entirely valueless and useless in the ...
Contents
THE CONCEPT OF STRATA AND PHASES IN ROMAN | 10 |
HAIKU AND | 40 |
THE CRITIC AS PERSON AND PERSONA | 70 |
Copyright | |
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absolutism aesthetic concretions aesthetic value artistic aspects attitude Bashô beauty become Benjamin Chinese cognition conceived concept Confucian consciousness creative critic's personality emotions enlightenment Erkennen essay existence existential experience expression fact faculty feel function haiku haiku-poem Hammer's human Husserl Ibid ideas identity Iliad imagination individual interpretation Islamic judgment Kant literarische Kunstwerk literary art literary criticism literary cycle literary theory literature means ment metaphor metaphysical mind mode monk moral moral absolutism mystical nature negative Nothingness notion object observer particular perceived perception and understanding Persian literature Persian poetry phenomenal phenomenology philosophy poem poet position pre-aesthetic principles psychological pure qualities reader reality relation René Wellek Roman Ingarden schema scholar sense spiritual Ssu-k'ung statement stratum structure Sung dynasty synthesis synthetic Taoist taste theoretical theory things tion Tokyo tradition transcendental translation true tz'u University verse wabi Walter Benjamin words writing