The London Mercury, Volume 16Field Press Limited, 1927 - English literature |
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Page i
THE LONDON MERCURY Edited by J.C. SQUIRE Volume XVI 1927 May to October 1927 The London Mercury Ltd M.CM.XXVII MAY OCTOBER M⚫CM XXVII Bibliographies of Modern Authors :
THE LONDON MERCURY Edited by J.C. SQUIRE Volume XVI 1927 May to October 1927 The London Mercury Ltd M.CM.XXVII MAY OCTOBER M⚫CM XXVII Bibliographies of Modern Authors :
Page ii
... VOLUME XVI Barfield , Owen : Ophelia 236. 3 228 225 562 339 REGULAR ARTICLES BIBLIC IBLIOGRAPHICAL Notes , 77 , 200 , 302 , 532 , 641 M · CM · XXVII 193 , 525 Book - Production Notes , 81 , 204 , 306 , 420 , 536,644 Correspondence , 77 ...
... VOLUME XVI Barfield , Owen : Ophelia 236. 3 228 225 562 339 REGULAR ARTICLES BIBLIC IBLIOGRAPHICAL Notes , 77 , 200 , 302 , 532 , 641 M · CM · XXVII 193 , 525 Book - Production Notes , 81 , 204 , 306 , 420 , 536,644 Correspondence , 77 ...
Page iii
INDEX TO VOLUME XVI Barfield , Owen : Ophelia 236 Bax , Clifford : A Night of Splendour Beerbohm , Max : Not That I Would Boast 231 English , Douglas : Natural History Weekley , Prof. Ernest : English Grammar & Language 58. iii POEMS ...
INDEX TO VOLUME XVI Barfield , Owen : Ophelia 236 Bax , Clifford : A Night of Splendour Beerbohm , Max : Not That I Would Boast 231 English , Douglas : Natural History Weekley , Prof. Ernest : English Grammar & Language 58. iii POEMS ...
Page vii
... 663 Safety of S. Paul's , The Alexander Saint - Simonian Religion in Germany , 214 YA Bowman YACH 547 ZE THE LONDON MERCURY Editor. Plasterwork in Great Britain , Decora- Modern Portraits LI - AUGUSTINE BIRRELL. INDEX TO VOLUME XVI vii.
... 663 Safety of S. Paul's , The Alexander Saint - Simonian Religion in Germany , 214 YA Bowman YACH 547 ZE THE LONDON MERCURY Editor. Plasterwork in Great Britain , Decora- Modern Portraits LI - AUGUSTINE BIRRELL. INDEX TO VOLUME XVI vii.
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Page 167 - There shrines and palaces and towers (Time-eaten towers that tremble not!) Resemble nothing that is ours. Around, by lifting winds forgot, Resignedly beneath the sky The melancholy waters lie. No rays from the holy Heaven come down On the long night-time of that town...
Page 347 - Did Quattrocento finger fashion it Hollow of cheek as though it drank the wind And took a mess of shadows for its meat?
Page 348 - Labour is blossoming or dancing where The body is not bruised to pleasure soul. Nor beauty born out of its own despair, Nor blear-eyed wisdom out of midnight oil. O chestnut-tree, great-rooted blossomer, Are you the leaf, the blossom or the bole? O body swayed to music, O brightening glance, How can we know the dancer from the dance?
Page 617 - Mead lived more in the broad sunshine of life than almost any man.
Page 189 - I never was attached to that great sect Whose doctrine is that each one should select Out of the crowd a mistress or a friend, And all the rest, though fair and wise, commend To cold oblivion...
Page 389 - We are no other than a moving row Of Magic Shadow-shapes that come and go Round with the Sun-illumined Lantern held In Midnight by the Master of the Show...
Page 622 - Church preferment;' and in another place (p. 275) says that 'he often lays down with great confidence what turns out afterwards to be wrong.' In the House of Lords he once said that ' he did not know what the mass of the people in any country had to do with the laws but to obey them.
Page 235 - You could not tell, and yet it looked as if The shore was lucky in being backed by cliff, The cliff in being backed by continent; It looked as if a night of dark intent Was coming, and not only a night, an age. Someone had better be prepared for rage. There would be more than ocean-water broken Before God's last Put out the Light was spoken.
Page 615 - Knowledge is of two kinds. We know a subject ourselves, or we know where we can find information upon it.
Page 233 - The same leaves over and over again! They fall from giving shade above To make one texture of faded brown And fit the earth like a leather glove. Before the leaves can mount again To fill the trees with another shade, They must go down past things coming up. They must go down into the dark decayed.