The London Mercury, Volume 16Field Press Limited, 1927 - English literature |
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Page v
... Character & Sportsmanship , Cook Chaucer , Cowling 538 Classic Letter Design , Morison 316 Congregationalism , Selbie 539 Conversation , Heseltine Student of Prague , The 316 Cornish Names , Dexter Two Brothers , The Various Films • 539 ...
... Character & Sportsmanship , Cook Chaucer , Cowling 538 Classic Letter Design , Morison 316 Congregationalism , Selbie 539 Conversation , Heseltine Student of Prague , The 316 Cornish Names , Dexter Two Brothers , The Various Films • 539 ...
Page 21
... character , the masculine attributes , of the suffragettes of the twentieth century , that they were capable of playing a forceful and even a doubtfully honest part in politics , and that their disregard of convention was a revolt ...
... character , the masculine attributes , of the suffragettes of the twentieth century , that they were capable of playing a forceful and even a doubtfully honest part in politics , and that their disregard of convention was a revolt ...
Page 31
... character , as wrought on by the situation in the third act , is the finest technical feat Ledgett has yet achieved . Could you lunch with me here to - morrow ? Table - d'hote is at one o'clock . I want to talk of the play to some one ...
... character , as wrought on by the situation in the third act , is the finest technical feat Ledgett has yet achieved . Could you lunch with me here to - morrow ? Table - d'hote is at one o'clock . I want to talk of the play to some one ...
Page 46
... characters as " Characters Real , which express neither letters nor words in gross , but Things or Notions ; inasmuch as countries and provinces , which understand not ... character 99 66 " " 66 " " " " be required for 46 THE LONDON MERCURY.
... characters as " Characters Real , which express neither letters nor words in gross , but Things or Notions ; inasmuch as countries and provinces , which understand not ... character 99 66 " " 66 " " " " be required for 46 THE LONDON MERCURY.
Page 47
... character , or by a combination of existing ones . This infinitive nature of the Chinese script is proving useful to - day in such countries as Annam , Korea and Japan , where new characters are being formed although the process of ...
... character , or by a combination of existing ones . This infinitive nature of the Chinese script is proving useful to - day in such countries as Annam , Korea and Japan , where new characters are being formed although the process of ...
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admirable advts Angmering appeared Argallo artist beauty century Chan Chun character CHIG Chinese Chinese language Chou Church cloth boards colour criticism D. H. Lawrence dark death edition EDWARD SHANKS Edward Thomas England English essay eyes face fact Fcap feel film front cover genius George Borrow gilt hand heart Herr Ludwig Hogg Howard's End imagination interest island Lady Ledgett less letters literary literature living LONDON MERCURY looked Marina Tsvetaeva matter Messrs MICHIG mind Miss modern Napoleon nature never night novel once ornt Oxford perhaps person play poems poet poetry printed prose published reader realised remarkable replied RICHARD ALDINGTON Russian Rust seems Shelley Sidcup spirit Stonehenge story Strafford things thought UNIV verse voice volume W. B. YEATS words writing written wrote young
Popular passages
Page 167 - There shrines and palaces and towers (Time-eaten towers that tremble not!) Resemble nothing that is ours. Around, by lifting winds forgot, Resignedly beneath the sky The melancholy waters lie. No rays from the holy Heaven come down On the long night-time of that town...
Page 347 - Did Quattrocento finger fashion it Hollow of cheek as though it drank the wind And took a mess of shadows for its meat?
Page 348 - Labour is blossoming or dancing where The body is not bruised to pleasure soul. Nor beauty born out of its own despair, Nor blear-eyed wisdom out of midnight oil. O chestnut-tree, great-rooted blossomer, Are you the leaf, the blossom or the bole? O body swayed to music, O brightening glance, How can we know the dancer from the dance?
Page 617 - Mead lived more in the broad sunshine of life than almost any man.
Page 189 - I never was attached to that great sect Whose doctrine is that each one should select Out of the crowd a mistress or a friend, And all the rest, though fair and wise, commend To cold oblivion...
Page 389 - We are no other than a moving row Of Magic Shadow-shapes that come and go Round with the Sun-illumined Lantern held In Midnight by the Master of the Show...
Page 622 - Church preferment;' and in another place (p. 275) says that 'he often lays down with great confidence what turns out afterwards to be wrong.' In the House of Lords he once said that ' he did not know what the mass of the people in any country had to do with the laws but to obey them.
Page 235 - You could not tell, and yet it looked as if The shore was lucky in being backed by cliff, The cliff in being backed by continent; It looked as if a night of dark intent Was coming, and not only a night, an age. Someone had better be prepared for rage. There would be more than ocean-water broken Before God's last Put out the Light was spoken.
Page 615 - Knowledge is of two kinds. We know a subject ourselves, or we know where we can find information upon it.
Page 233 - The same leaves over and over again! They fall from giving shade above To make one texture of faded brown And fit the earth like a leather glove. Before the leaves can mount again To fill the trees with another shade, They must go down past things coming up. They must go down into the dark decayed.