Perverse Spectators: The Practices of Film Reception

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New York University Press, Jul 1, 2000 - Performing Arts - 242 pages

Film and television have never been more prevalent or watched than they are now, yet we still have little understanding of how people process and make use of what they see. And though we acknowledge the enormous role the media plays in our culture, we have only a vague sense of how it actually influences our attitudes and desires.

InPerverse Spectators, Janet Staiger argues that studying the interpretive methods of spectators within their historical contexts is both possible and necessary to understand the role media plays in culture and in our personal lives. This analytical approach is applied to topics such as depictions of violence, the role of ratings codes, the horror and suspense genre, historical accuracy in film, and sexual identities, and then demonstrated through works likeJFK,The Silence of the Lambs,The Texas Chain Saw Massacre,Psycho, andA Clockwork Orange. Each chapter shows a different approach to reconstructing audience responses to films, consistently and ingeniously finding traces of what would otherwise appear to be unrecoverable information.

Using vivid examples, charting key concepts, and offering useful syntheses of long-standing debates,Perverse Spectatorsconstitutes a compelling case for a reconsideration of the assumptions about film reception which underlie contemporary scholarship in media studies.

Taking on widely influential theories and scholars,Perverse Spectatorsis certain to spark controversy and help redefine the study of film as it enters the new millennium.

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User Review  - rivkat - LibraryThing

I got this because of the title (and the cover featuring Clarice Starling and Hannibal Lecter), and was slightly disappointed. Staiger has several big points and then a number of case studies—the big ... Read full review


Modes of Reception
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About the author (2000)

Janet Staiger teaches cultural, gender, sexuality, and media studies at The University of Texas at Austin. Her recent books are Perverse Spectators: The Practices of Film Reception and Blockbuster TV: Must-See Sitcoms in the Network Era (both available from NYU Press).

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