tion now before us: but it were rather to be wished that the vicious amours of Jupiter and Apollo, with the drunken freaks of Bacchus, &c. &c. were all made to give way entirely, and for ever, to more innocent and more edifying objects. The ftores of Nature, all beauteous, elegant, and grand, are inexhauftible. Let thefe be ftudied, as they have laudably been, by many excellent artifts, rather than the monftrous fictions of the poets. Let the pen of the hiftorian, however, continue to find employment for the pencil. Hiftory will always furnish proper fubjects for the emulation, inftruction, or delight of mankind; and perhaps it may with truth be faid, that one of the greatest atchievements of the human genius, is a capital hiftory-piece, executed with all the powers and the art of a Raphael, a Titian, a Corregio, or a Rubens. ART. II. The Inflexible Captive; a Tragedy. By Mifs Hannah More *. 8vo. 1 s. 6d. Cadell, &c. E To Greece no more the tuneful maids belong, 1774 TO MORE, BROOKS, Lenox, AIKIN, CARTER due, LEVATED with the honour of our fair countrywomen, we had almoft forgot the feverity of criticifm and the infirmi ties of age, and were hobbling into rhyme; but, leaving to them the palm of verfe, and contenting ourselves with waiting on them in their excurfions, we fhall attend our very ingenious and amiable Author through the well-drawn fcenes of her Inflexible Captive. This tragedy is founded on the Attilio Regola of Metaftafio; but, being extended to five acts, Mifs More was frequently under a neceffity of becoming original, and of depending on her own invention. Prefixed to the play is the following argument: Amongst all the great names, which have done honour to antiquity in general, and to the Roman republic in particular, that of Marcus Attilias Regulas has, by the general confent of all ages, been confidered as one of the moft refpectable, fince he not only facrificed his labours, his liberty, and his life, for the good of his country, but by a greatnefs of foul, almoft peculiar to himself, contrived to make his very misfortunes contribute to that glorious end. After the Romans had met with various fucceffes in the first Pa nic war, under the command of Regulus, victory at length declared for the oppofite party, the Roman army was totally overthrown, and Regulus himself taken prifoner, by Xantippus, a Lacedæmonian general in the fervice of the Carthaginians: the victorious enemy exult Author of The Search after Happiness, recommended in our Review for September, 1773. R 2 ing ing in fo important a conqueft, kept him many years in clofe imprifonment, and loaded him with the most cruel indignities. They thought it was now in their power to make their own terms with Rome, and determined to send Regulus thither, with their ambassador, to negotiate a peace, or, at leaft, an exchange of captives, thinking he would gladly perfuade his countrymen to discontinue a war, which neceffarily prolonged his captivity. They previously exacted from him an oath to return fhould his embassy prove unfuc cessful; at the fame time giving him to understand, that he must expect to fuffer a cruel death if he failed in it; this they artfully intimated as the ftrongest motive for him to leave no means unattempted to accomplish their purpose. At the unexpected arrival of this venerable hero, the Romans expreffed the wildeft tranfports of joy, and would have fubmitted to almost any conditions to procure his enlargement; but Regulus, fo far from availing himself of his influence with the Senate to obtain any perfonal advantages, employed it to induce them to reject propofals fo evidently tending to dífhonour their country, declaring his fixed refolution to return to bondage and death rather than violate his oath. 'He at last extorted from them their confent; and departed amidst the tears of his family, the importunities of his friends, the applaufes of the Senate, and the tumultuous oppofition of the people; and as a great poet of his own nation beautifully obferves," he embarked for Carthage as calm and unconcerned, as if, on finishing the tedious law-faits of his clients, he was retiring to Venafrian fields, or the fweet country of Tarentum *." In the above, and many other important particulars, the Author has paid the ftricteft regard to historical truth: in fome lefs effential points, where the thought it would rather obftruct than advance her purpose, she has ventured to deviate from it; particularly, in fixing the return of Regulus to Rome, pofterior to the death of his wife Martia. In this, as well as in the general conduct of the ftory, fhe has followed the Italian poet Metaltafio, in his opera on this fubject.' It is not worth while here to detain our Readers by a display of erudition, in ftating the arguments that have been adduced by learned men, at different periods, for and against the punishment and patriotifm, and even the existence of fuch a man as Regulus. If there never was fuch a perfon, there would, perhaps, be no great hardiness in pronouncing that there never will be fuch a one; but it is our opinion that the truth lies here, where it generally lies, in the middle, and that there was fome diftinguished Roman called Regulus, the events of whose life have been hyperbolically related, and whofe patriotic character has been overcharged. In pity, at leaft, of modern patriotism, and in charity, we should think so. The Regulus, like the reft of Metaftafio's works, abounds, almost every where, with thofe fine moral diftinctions so pecu *HOR. book iii. ode 5. liar to his genius and manner; and to say that these have undergone no difadvantage in the Inflexible Captive, would be shewing ourfelves very penurious in the fair Author's praife. She has, indeed, in all inftances, fupported, in many, improved, upon the fense and spirit of the Italian poet; and where she has found it neceffary to have recourfe to herfelf, and enlarge the original plan, fhe has done it with a degree of judgment that could be expected only from every privilege of experience, with a degree of genius which leaves not even Metaftafio to look down upon her. Of that dignity of foul and fentiment which distinguish this tragedy, take the following fpecimen, from the converfation that paffed between Regulus and his fon Publius, &c. ACT III. Scene a Portico of a Palace without the Gates of Rome, the Abode of the Carthaginian Ambassador. REG. PUB. REG. PUB. Enter REGULUS and PUBLIUS, meeting. They're not yet met. Away Support my counfel in th' affembled fenate, Ah! fpare thy fon the moft ungrateful task. REG. REG. PUB. REG. Doft thou then think that mine's a frantic brav'ry, Yet fure our country Is a whole, my Publius, R 3 But PUB. But what affect her honour, or her fhame. There let him live, and vaunt his wretched freedom. REG. A poor excufe, unworthy of a Roman ! PUB. REG. Рив. REG. PUB. REG. PUB. Hath been confin'd to fathers.-Rome till now Then be the first to give the great example- Publius, no more, begone- Too much, too much, thy rigid virtue claims Ah! could't thou look into my inmoft foul, Thou REG. Рив. REG. Thou would't abate the of thy breast, rigour. of thy words. Manet REGULUS. Th' important hour approaches, and my foul. Ye guardian gods, look down propitious on her, See that the lictors wait, and guard the entrance- Ah! Manlius here! What can this mean? MAN. Where, where is Regulus ? The great, the god-like, the invincible? Oh let me ftrain the hero to my breast. REG. avoiding him. Manlius, ftand off, remember I'm a slave! And thou Rome's Conful MAN. REG. ΜΑΝ. REG. I am fomething more: Thy fortitude and courage have fubdued me. I'confefs, He rifes now a God. Manlius, enough. R 4 With |