Aphra Behn's AfterlifeAphra Behn, now becoming recognized as a major Restoration figure, is especially significant as an early example of a successful professional woman writer: an important and often troubling role-model for later generations of women. This book shows that her influence on eighteenth-century literature was far-reaching. Because literary history was (and to an extent still is) based on notions of patrilineal succession, it has been difficult to recognize the generative work of women's texts among male writers. This book suggests that Behn had 'sons' as well as 'daughters' and argues that we need a feminist revision of the notion of literary influence. Behn's reputation was very different in different genres. The book analyses her reception as a poet, a novelist, and a dramatist, showing how reactions to her became an important part of the creation of the English literary canon. |
Contents
Introduction | 1 |
PART I REPUTATIONS | 17 |
PART II INFLUENCES | 101 |
PART III RECEPTIONS | 185 |
Conclusion | 265 |
271 | |
303 | |
Other editions - View all
Aphra Behn's Afterlife Jane Spencer,Senior Lecturer in English Literature Jane Spencer Limited preview - 2000 |
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adaptation Agnes de Castro altered amorous Angellica anti-slavery Aphra Behn Astrea audience Behn's Behn’s Behn’s fiction Behn’s novel Byam canon Centlivre century characters Charles Gildon claim comedy comic Cowley Cowley’s critics Delarivier Manley discussion dramatic dramatist Drury Lane Dryden early edition eighteenth eighteenth-century Eliza Haywood English favour female authority feminine Gildon Hawkesworth Haywood Hellena hero hero’s heroine Histories and Novels honour Imoinda influence John John Dryden Katherine Philips Killigrew Lady later letters Lincoln’s Inn literary London Love Love-Letters lover Lucky Chance male Manley Manley’s marriage Mary Pix Memoirs moral Muse narrator novelists Orinda Oroonoko performed play play’s playwrights poem poetic poetry poets political popular praise prince promptbook published reputation Restoration Restoration comedy revised revived Richardson Robert Wilks role Rover Sappho scene seen sexual slavery slaves Southerne Southerne’s stage story success Surinam theatre Thomas Thomas Southerne Thomaso tion tradition tragedy translation University Press verse Willmore Willmore’s woman women writers