The Quarterly Review, Volume 246William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, Sir William Smith, Sir John Murray IV, Rowland Edmund Prothero Baron Ernle John Murray, 1926 - English literature |
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Page 8
... leave the beaten track and stand on one's head in the ditch in order to attract attention . The fact is that in the best of our contemporary architecture any one with the requisite knowledge can detect the various strains assimilated ...
... leave the beaten track and stand on one's head in the ditch in order to attract attention . The fact is that in the best of our contemporary architecture any one with the requisite knowledge can detect the various strains assimilated ...
Page 16
... leaves wholly untouched a very critical problem , namely , what goes on in the mind of the creative artist himself . Even Mr Scott admits that architects do not imagine themselves to be arches and buttresses when they set about ...
... leaves wholly untouched a very critical problem , namely , what goes on in the mind of the creative artist himself . Even Mr Scott admits that architects do not imagine themselves to be arches and buttresses when they set about ...
Page 17
... leave our generation free to follow out its own ideas . ' There can be no doubt that 17th- and 18th - century art in Italy , and indeed elsewhere , was seriously under - rated by popular writers of the last century , but this complete ...
... leave our generation free to follow out its own ideas . ' There can be no doubt that 17th- and 18th - century art in Italy , and indeed elsewhere , was seriously under - rated by popular writers of the last century , but this complete ...
Page 19
... leaves Baroque art where it was , and he does himself less than justice when he says there is a total lack in his generation of ' self - confidence and fluency . ' It must be admitted that it is not very easy to define Baroque ' art ...
... leaves Baroque art where it was , and he does himself less than justice when he says there is a total lack in his generation of ' self - confidence and fluency . ' It must be admitted that it is not very easy to define Baroque ' art ...
Page 20
... leave the spectator gasping , and this , in fact , seems to me to be one meaning of the Baroque in art . It is an affair of the footlights from first to last . Where greater men have been content to pursue the even tenor of their way ...
... leave the spectator gasping , and this , in fact , seems to me to be one meaning of the Baroque in art . It is an affair of the footlights from first to last . Where greater men have been content to pursue the even tenor of their way ...
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18th century agricultural appear architect architecture Baroque Baroque architecture Baroque art beautiful Bela Kun believed better British Brutus building called capital cent century Church criticism Dante dead dividend doubt employees England English existence fact farm favour France friends Gatchina ghost Giotto give Government Grand Duke hand human Hungarian Hungary idea improved increase industry Inigo Jones interest Irish jest-book jests John Rastell labour land landlord landowner less Liberal living look Lord matter ment methods Michael Romanov mind Minister modern necromancy never Newman Oxford Pausanias perhaps Philip Webb Plutarch poetry poets political practice probably produced profits prohibition Rastell realise reason recognised regard seems share Sitwell social spirit St Petersburg stories success suggested taxation tenant things thought tion to-day told W. G. Ward whole workers writes