A Practical Manual of Elocution: Embracing Voice and Gesture ; Designed for Schools, Academies and Colleges, as Well as for Private Learners |
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Page xii
... Emphasis .... 102 Emphasis of Stress .. 103 Emphasis of Pitch .. 105 Emphasis of the Wave 109 Emphasis of Force . 113 Emphasis of Quality .. 113 Relative Emphasis 117 SECT . IV . Of the Drifts of the Voice ... 122 SECT . V. Of ...
... Emphasis .... 102 Emphasis of Stress .. 103 Emphasis of Pitch .. 105 Emphasis of the Wave 109 Emphasis of Force . 113 Emphasis of Quality .. 113 Relative Emphasis 117 SECT . IV . Of the Drifts of the Voice ... 122 SECT . V. Of ...
Page 56
... Emphasis ; but its recurrence is not sufficiently frequent to suggest in relation to it any system of practice . There is still another form of stress which consists simply in the addition of force to the natural con- crete movement ...
... Emphasis ; but its recurrence is not sufficiently frequent to suggest in relation to it any system of practice . There is still another form of stress which consists simply in the addition of force to the natural con- crete movement ...
Page 63
... Emphasis or Interrogation . In the simple melody of speech , the rising slide greatly predominates over the falling ; as the latter occurs only at the close of sentences , or members of sentences , nor always there . Rules then are only ...
... Emphasis or Interrogation . In the simple melody of speech , the rising slide greatly predominates over the falling ; as the latter occurs only at the close of sentences , or members of sentences , nor always there . Rules then are only ...
Page 66
... emphasis in the following examples : - 1. You are not left alone to climb the arduous ascent . 2. It was an enemy ... Emphasis , prosecute the subject further to advantage . II . EMPHATIC SLIDES . All the slides enumerated in this ...
... emphasis in the following examples : - 1. You are not left alone to climb the arduous ascent . 2. It was an enemy ... Emphasis , prosecute the subject further to advantage . II . EMPHATIC SLIDES . All the slides enumerated in this ...
Page 67
... Emphasis . This subject will be found illustrated at some length , in Section III , Chapter II . - The employ- ment of the wider intervals of the Third or Fifth , instead of the Second , in the current melody , is inconsistent with ...
... Emphasis . This subject will be found illustrated at some length , in Section III , Chapter II . - The employ- ment of the wider intervals of the Third or Fifth , instead of the Second , in the current melody , is inconsistent with ...
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Common terms and phrases
Absalom accent action advance Ahimaaz articulation Aspiration audience beauty body breast Broken Melody Brutus Cadence Cæsar called Cassius character Chironomia Cicero combined consonants countenance defects delivery Demosthenes dignity direction discourse downward elements elocution eloquence emotion emphasis emphatic employed English language examples exercise exhibit expression eyes fall feeling feet fingers foot force give grace habits head heard heart heaven human voice interrogation Intonation king klst language learner long quantity lower limbs marked melody ment mind move movement musical scale nature never o'er object octave orator oratory palm passion pause perfect pitch posi practice presented principles pronounced pronunciation pulpit Quintilian racter Radical reading remarked Represent Rising Slide second position Semitone sentence sentiment short speaker speaking speech style of gesture syllable taste thee thou thought tion tones Unaccented utterance Vanishing Stress variety vocal voice vowel sound words
Popular passages
Page 111 - What though the field be lost? All is not lost; the unconquerable will, And study of revenge, immortal hate, And courage never to submit or yield: And what is else not to be overcome?
Page 142 - And let those that play your clowns, speak no more than is set down for them : for there be of them, that will themselves laugh, to set on some quantity of barren spectators to laugh too ; though, in the mean time, some necessary question of the play be then to be considered: that's villainous; and . shows a most pitiful ambition in the fool that uses it.
Page 172 - Caesar carelessly but nod on him. He had a fever when he was in Spain ; And, when the fit was on him, I did mark How he did shake...
Page 129 - The gay will laugh When thou art gone, the solemn brood of care Plod on, and each one, as before, will chase His favorite phantom ; yet all these shall leave Their mirth and their employments, and shall come And make their bed with thee.
Page 108 - Perhaps thou gavest me, though unfelt, a kiss ; Perhaps a tear, if souls can weep in bliss ; Ah, that maternal smile, it answers yes ! I heard the bell tolled on thy burial day, I saw the hearse that bore thee slow away, And, turning from my nursery window, drew A long, long sigh, and wept a last adieu ! But was it such ? It was.
Page 128 - And the kings of the earth, and the great men, and the rich men, and the chief captains, and the mighty men, and every bondman, and every free man, hid themselves in the dens and in the rocks of the mountains; And said to the mountains and rocks, Fall on us, and hide us from the face of him that sitteth on the throne, and from the wrath of the Lamb: For the great day of his wrath is come; and who shall be able to stand?
Page 169 - And weltering in his blood ; Deserted at his utmost need By those his former bounty fed ; On the bare earth exposed he lies With not a friend to close his eyes.
Page 127 - HAIL, holy Light, offspring of Heaven first-born! Or of the Eternal coeternal beam May I express thee unblamed? since God is light, And never but in unapproached light Dwelt from eternity — dwelt then in thee, Bright effluence of bright essence increate!
Page 128 - Dark-heaving, boundless, endless and sublime — The image of eternity — the throne Of the Invisible; even from out thy slime The monsters of the deep are made; each zone Obeys thee; thou goest forth, dread, fathomless, alone.
Page 148 - This fellow's of exceeding honesty, And knows all qualities, with a learned spirit, Of human dealings. If I do prove her haggard, Though that her jesses were my dear heart-strings, I 'ld whistle her off and let her down the wind, To prey at fortune.