The Augustinian Epic, Petrarch to MiltonThe Augustinian Epic, Petrarch to Milton rewrites the history of the Renaissance Vergilian epic by incorporating the neo-Latin side of the story alongside the vernacular one, revealing how epics spoke to each other "across the language gap" and together comprised a single, "Augustinian tradition" of epic poetry. Beginning with Petrarch's Africa, Warner offers major new interpretations of Renaissance epics both famous and forgotten—from Milton's Paradise Lost to a Latin Christiad by his near-contemporary, Alexander Ross—thereby shedding new light on the development of the epic genre. For advanced undergraduate students, graduate students, and scholars in the fields of Italian, English, and Comparative literatures as well as the Classics and the history of religion and literature. |
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... Christ's mortality , the contrast between Aeneas and Christ is achieved without such a reversal of Vergil's words ( i.e. , from " non sponte " to " sua sponte " ) . id enim matris de corpore traxit , Ut quaecunque hominum mortalia ...
... Christ's coming and to affirm the special fitness of the transformation of Vergil's works ( we might say , their apotheosis ) into the Christiad . Not on account of the superstition of profane peoples ought we to shun their music , or ...
... Christ's — and we are required to mark the absolute distinction between them . Unlike our interpretation of Tasso's warriors , we must not allow Dido's culpa , through association , to diminish at all our confidence in Christ's ...
Contents
Introduction | 1 |
Petrarchs Culpa and the Allegory of the Africa | 20 |
Petrarchs Culpa in Gerusalemme liberata | 74 |
Copyright | |
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