Essays on the Nature and Principles of Taste, Volume 1 |
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Page xi
... produced a similar division of this Emotion , into the EMOTION of SUBLIMI- TY , and the EMOTION of BEAUTY . The Qualities that produce these Emo- tions , are to INTRODUCTION,
... produced a similar division of this Emotion , into the EMOTION of SUBLIMI- TY , and the EMOTION of BEAUTY . The Qualities that produce these Emo- tions , are to INTRODUCTION,
Page xii
Archibald Alison. The Qualities that produce these Emo- tions , are to be found in almost every class of the objects of human knowledge , and the Emotions themselves afford one of the most extensive sources of human delight . They occur ...
Archibald Alison. The Qualities that produce these Emo- tions , are to be found in almost every class of the objects of human knowledge , and the Emotions themselves afford one of the most extensive sources of human delight . They occur ...
Page xiv
... produce the Emotions of TASTE : And , II . To investigate the NATURE of that FACULTY , by which these Emotions are received . These investigations , however , are not to be considered only as objects of philosophi- cal curiosity . They ...
... produce the Emotions of TASTE : And , II . To investigate the NATURE of that FACULTY , by which these Emotions are received . These investigations , however , are not to be considered only as objects of philosophi- cal curiosity . They ...
Page xvii
... Nature of the Qualities that produce the Emotions of Taste , or the Nature of the Faculty by which they are received , will be exactly VOL . I. b proportioned to our accuracy in ascertain- ing the Nature of INTRODUCTION . xvii.
... Nature of the Qualities that produce the Emotions of Taste , or the Nature of the Faculty by which they are received , will be exactly VOL . I. b proportioned to our accuracy in ascertain- ing the Nature of INTRODUCTION . xvii.
Page xxv
... produced in REAL NATURE , and by what means it may be produced in the Compositions of Art . It 2. There is a distinction in the effects produced upon our minds by objects of Taste , and INTRODUCTION . XXV.
... produced in REAL NATURE , and by what means it may be produced in the Compositions of Art . It 2. There is a distinction in the effects produced upon our minds by objects of Taste , and INTRODUCTION . XXV.
Common terms and phrases
2dly accordingly admiration amid angular animals appearances arises Artist asso associations attitude or gesture beau beautiful Form Beauty of Forms Beauty or Sublimity cause character circumstances Colours common Composition connection considered constitution contrary degree Delicacy delight dispositions distinguished ductions effect Emotion of Beauty Emotions of Sublimity Emotions of Taste Entablature excite experience expres Expression of Design feel felt as beautiful gaiety Grace Human Countenance Human Form human Voice ideas illustration imagination imitation instance ject kind language lours mankind manner Melan melancholy ment Motion Music nature neral ness objects observation obvious opinion ornaments painful passions peculiar perceive perhaps pleasing or interesting pleasure pression principle produce propriety qualities of mind racter readers regard relation rience riety scene scenery seems sense sensibility shew significant signs sion Sounds species Sublimity and Beauty Sublimity or Beauty tiful tion tone trains of thought tural ture Uniformity variety
Popular passages
Page 203 - Now entertain conjecture of a time When creeping murmur and the poring dark Fills the wide vessel of the universe. From camp to camp through the foul womb of night The hum of either army stilly sounds, That the fixed sentinels almost receive The secret whispers of each other's watch...
Page 45 - The mingling notes came soften'd from below ; The swain responsive as the milk-maid sung, The sober herd that low'd to meet their young ; The noisy geese that gabbled o'er the pool, The playful children just let loose from school ; The watchdog's voice that bay'd the whisp'ring wind, And the loud laugh that spoke the vacant mind ; These all in sweet confusion sought the shade, And fill'd each pause the nightingale had made.
Page 143 - The current that with gentle murmur glides, Thou know'st, being stopp'd, impatiently doth rage ; But when his fair course is not hindered, He makes sweet music with the enamell'd stones, Giving a gentle kiss to every sedge He overtaketh in his pilgrimage, And so by many winding nooks he strays, With willing sport, to the wild ocean.
Page 166 - ... aller et dériver lentement au gré de l'eau , quelquefois pendant plusieurs heures, plongé dans mille rêveries confuses, mais délicieuses, et qui, sans avoir aucun objet bien déterminé ni constant, ne laissaient pas d'être à mon gré cent fois préférables à tout ce que j'avais trouvé de plus doux dans ce qu'on appelle les plaisirs de la vie.
Page 166 - Quand le soir approchait je descendais des cimes de l'île et j'allais volontiers m'asseoir au bord du lac, sur la grève, dans quelque asile caché ; là le bruit des vagues et l'agitation de l'eau fixant mes sens et chassant de mon âme toute autre agitation la plongeaient dans une rêverie délicieuse où la nuit me surprenait souvent sans que je m'en fusse aperçu.
Page 58 - Bow'd their stiff necks, loaden with stormy blasts, Or torn up sheer. Ill wast thou shrouded then, O patient Son of God, yet only stood'st...
Page 201 - And behold, the LORD passed by, and a great and strong wind rent the mountains, and brake in pieces the rocks before the LORD; but the LORD was not in the wind: and after the wind an earthquake; but the LORD was not in the earthquake: And after the earthquake a fire; but the LORD was not in the fire: and after the fire a still small voice.
Page 167 - Le flux et le reflux de cette eau, son bruit continu, mais renflé par intervalles, frappant sans relâche mon oreille et mes yeux, suppléaient aux mouvements internes que la rêverie éteignait en moi, et suffisaient pour me faire sentir avec plaisir mon existence, sans prendre la peine de penser.
Page 202 - And after the earthquake a fire; but the LORD was not in the fire: and after the fire a still small voice. And it was so, when Elijah heard it, that he wrapped his face in his mantle, and went out, and stood in the entering in of the cave. And behold, there came a voice unto him, and said. What doest thou here, Elijah?
Page 4 - When any object, either of sublimity or beauty, is presented to the mind, 1 believe every man is conscious of a train of thought being immediately awakened in his imagination, analogous to the character or expression of the original object.