Essays on the Nature and Principles of Taste, Volume 1 |
From inside the book
Results 1-5 of 59
Page x
... Music , 251 CHAP . III . Of the Sublimity and Beauty of the Objects of Sight , 289 SECT . I. Of Colours , 295 314 CHAP . IV . Of Forms , SECT . I. Of the Natural Sublimity and Beauty of Forms . Part I. Of the Sublimity of Forms , Part ...
... Music , 251 CHAP . III . Of the Sublimity and Beauty of the Objects of Sight , 289 SECT . I. Of Colours , 295 314 CHAP . IV . Of Forms , SECT . I. Of the Natural Sublimity and Beauty of Forms . Part I. Of the Sublimity of Forms , Part ...
Page xix
... Music , of Archi- tecture , and of Sculpture , the theory of Mr Hogarth , of the Abbé Winkelman , and per- haps , in its last result , also the theory of Sir Joshua Reynolds . It is the species of Hy- pothesis which is naturally ...
... Music , of Archi- tecture , and of Sculpture , the theory of Mr Hogarth , of the Abbé Winkelman , and per- haps , in its last result , also the theory of Sir Joshua Reynolds . It is the species of Hy- pothesis which is naturally ...
Page xxvii
... are to be sought for in the subject which they imitate ; and it is ever to be remembered , " That Music , Ar- " chitecture , and Painting , as well as Poe- 66 try and Oratory , are to deduce their laws INTRODUCTION . xxvii.
... are to be sought for in the subject which they imitate ; and it is ever to be remembered , " That Music , Ar- " chitecture , and Painting , as well as Poe- 66 try and Oratory , are to deduce their laws INTRODUCTION . xxvii.
Page 6
... music of Handel , the poetry of Milton , excite feeble emotions in our minds when our attention is confined to the quali- ties they present to our senses , or when it is to such qualities of their composition that we turn our regard ...
... music of Handel , the poetry of Milton , excite feeble emotions in our minds when our attention is confined to the quali- ties they present to our senses , or when it is to such qualities of their composition that we turn our regard ...
Page 11
... music , or of poetry , for amusement . The seasons of care , of grief , or of business , have other occupations , and destroy , for the time at least , our sensibility to the beauti- ful or the sublime , in the same proportion that they ...
... music , or of poetry , for amusement . The seasons of care , of grief , or of business , have other occupations , and destroy , for the time at least , our sensibility to the beauti- ful or the sublime , in the same proportion that they ...
Common terms and phrases
2dly accordingly admiration amid angular animals appearances arises Artist asso associations attitude or gesture beau beautiful Form Beauty of Forms Beauty or Sublimity cause character circumstances Colours common Composition connection considered constitution contrary degree Delicacy delight dispositions distinguished ductions effect Emotion of Beauty Emotions of Sublimity Emotions of Taste Entablature excite experience expres Expression of Design feel felt as beautiful gaiety Grace Human Countenance Human Form human Voice ideas illustration imagination imitation instance ject kind language lours mankind manner Melan melancholy ment Motion Music nature neral ness objects observation obvious opinion ornaments painful passions peculiar perceive perhaps pleasing or interesting pleasure pression principle produce propriety qualities of mind racter readers regard relation rience riety scene scenery seems sense sensibility shew significant signs sion Sounds species Sublimity and Beauty Sublimity or Beauty tiful tion tone trains of thought tural ture Uniformity variety
Popular passages
Page 203 - Now entertain conjecture of a time When creeping murmur and the poring dark Fills the wide vessel of the universe. From camp to camp through the foul womb of night The hum of either army stilly sounds, That the fixed sentinels almost receive The secret whispers of each other's watch...
Page 45 - The mingling notes came soften'd from below ; The swain responsive as the milk-maid sung, The sober herd that low'd to meet their young ; The noisy geese that gabbled o'er the pool, The playful children just let loose from school ; The watchdog's voice that bay'd the whisp'ring wind, And the loud laugh that spoke the vacant mind ; These all in sweet confusion sought the shade, And fill'd each pause the nightingale had made.
Page 143 - The current that with gentle murmur glides, Thou know'st, being stopp'd, impatiently doth rage ; But when his fair course is not hindered, He makes sweet music with the enamell'd stones, Giving a gentle kiss to every sedge He overtaketh in his pilgrimage, And so by many winding nooks he strays, With willing sport, to the wild ocean.
Page 166 - ... aller et dériver lentement au gré de l'eau , quelquefois pendant plusieurs heures, plongé dans mille rêveries confuses, mais délicieuses, et qui, sans avoir aucun objet bien déterminé ni constant, ne laissaient pas d'être à mon gré cent fois préférables à tout ce que j'avais trouvé de plus doux dans ce qu'on appelle les plaisirs de la vie.
Page 166 - Quand le soir approchait je descendais des cimes de l'île et j'allais volontiers m'asseoir au bord du lac, sur la grève, dans quelque asile caché ; là le bruit des vagues et l'agitation de l'eau fixant mes sens et chassant de mon âme toute autre agitation la plongeaient dans une rêverie délicieuse où la nuit me surprenait souvent sans que je m'en fusse aperçu.
Page 58 - Bow'd their stiff necks, loaden with stormy blasts, Or torn up sheer. Ill wast thou shrouded then, O patient Son of God, yet only stood'st...
Page 201 - And behold, the LORD passed by, and a great and strong wind rent the mountains, and brake in pieces the rocks before the LORD; but the LORD was not in the wind: and after the wind an earthquake; but the LORD was not in the earthquake: And after the earthquake a fire; but the LORD was not in the fire: and after the fire a still small voice.
Page 167 - Le flux et le reflux de cette eau, son bruit continu, mais renflé par intervalles, frappant sans relâche mon oreille et mes yeux, suppléaient aux mouvements internes que la rêverie éteignait en moi, et suffisaient pour me faire sentir avec plaisir mon existence, sans prendre la peine de penser.
Page 202 - And after the earthquake a fire; but the LORD was not in the fire: and after the fire a still small voice. And it was so, when Elijah heard it, that he wrapped his face in his mantle, and went out, and stood in the entering in of the cave. And behold, there came a voice unto him, and said. What doest thou here, Elijah?
Page 4 - When any object, either of sublimity or beauty, is presented to the mind, 1 believe every man is conscious of a train of thought being immediately awakened in his imagination, analogous to the character or expression of the original object.