Essays on the Nature and Principles of Taste, Volume 1 |
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Page 181
... Love , & c . are all known to us by means of the external signs of them in the Countenance , Gesture , or Voice . Such material signs are therefore very early associated in our minds with the qualities OF THE MATERIAL WORLD . 181.
... Love , & c . are all known to us by means of the external signs of them in the Countenance , Gesture , or Voice . Such material signs are therefore very early associated in our minds with the qualities OF THE MATERIAL WORLD . 181.
Page 296
... character from the character of the species which they distinguish . The ex- pression of those colours , which are the signs of particular passions in the human Countenance , and which , from this connec- tion , 6 296 SUBLIMITY AND BEAUTY.
... character from the character of the species which they distinguish . The ex- pression of those colours , which are the signs of particular passions in the human Countenance , and which , from this connec- tion , 6 296 SUBLIMITY AND BEAUTY.
Page 297
Archibald Alison. Countenance , and which , from this connec- tion , derive their effect , every one is ac- quainted with . 2. There are many Colours which derive expression from some analogy we discover between them and certain ...
Archibald Alison. Countenance , and which , from this connec- tion , derive their effect , every one is ac- quainted with . 2. There are many Colours which derive expression from some analogy we discover between them and certain ...
Page
... Countenance and Form . SECT . I. Introductory , 216 SECT . II . Of the Human Countenance , 221 Part I. Of the Colours of the Countenance , ib . Part II . Of the Features of the Human Coun- tenance , 244 VOL . II . Part III . Of the ...
... Countenance and Form . SECT . I. Introductory , 216 SECT . II . Of the Human Countenance , 221 Part I. Of the Colours of the Countenance , ib . Part II . Of the Features of the Human Coun- tenance , 244 VOL . II . Part III . Of the ...
Page 50
... countenance and form of the Person who wears it ; which , however little attended to , is one of the most important articles in the Composition of Dress , and which is never observed or violated without either increasing or diminishing ...
... countenance and form of the Person who wears it ; which , however little attended to , is one of the most important articles in the Composition of Dress , and which is never observed or violated without either increasing or diminishing ...
Common terms and phrases
2dly accordingly admiration amid angular animals appearances arises Artist asso associations attitude or gesture beau beautiful Form Beauty of Forms Beauty or Sublimity cause character circumstances Colours common Composition connection considered constitution contrary degree Delicacy delight dispositions distinguished ductions effect Emotion of Beauty Emotions of Sublimity Emotions of Taste Entablature excite experience expres Expression of Design feel felt as beautiful gaiety Grace Human Countenance Human Form human Voice ideas illustration imagination imitation instance ject kind language lours mankind manner Melan melancholy ment Motion Music nature neral ness objects observation obvious opinion ornaments painful passions peculiar perceive perhaps pleasing or interesting pleasure pression principle produce propriety qualities of mind racter readers regard relation rience riety scene scenery seems sense sensibility shew significant signs sion Sounds species Sublimity and Beauty Sublimity or Beauty tiful tion tone trains of thought tural ture Uniformity variety
Popular passages
Page 203 - Now entertain conjecture of a time When creeping murmur and the poring dark Fills the wide vessel of the universe. From camp to camp through the foul womb of night The hum of either army stilly sounds, That the fixed sentinels almost receive The secret whispers of each other's watch...
Page 45 - The mingling notes came soften'd from below ; The swain responsive as the milk-maid sung, The sober herd that low'd to meet their young ; The noisy geese that gabbled o'er the pool, The playful children just let loose from school ; The watchdog's voice that bay'd the whisp'ring wind, And the loud laugh that spoke the vacant mind ; These all in sweet confusion sought the shade, And fill'd each pause the nightingale had made.
Page 143 - The current that with gentle murmur glides, Thou know'st, being stopp'd, impatiently doth rage ; But when his fair course is not hindered, He makes sweet music with the enamell'd stones, Giving a gentle kiss to every sedge He overtaketh in his pilgrimage, And so by many winding nooks he strays, With willing sport, to the wild ocean.
Page 166 - ... aller et dériver lentement au gré de l'eau , quelquefois pendant plusieurs heures, plongé dans mille rêveries confuses, mais délicieuses, et qui, sans avoir aucun objet bien déterminé ni constant, ne laissaient pas d'être à mon gré cent fois préférables à tout ce que j'avais trouvé de plus doux dans ce qu'on appelle les plaisirs de la vie.
Page 166 - Quand le soir approchait je descendais des cimes de l'île et j'allais volontiers m'asseoir au bord du lac, sur la grève, dans quelque asile caché ; là le bruit des vagues et l'agitation de l'eau fixant mes sens et chassant de mon âme toute autre agitation la plongeaient dans une rêverie délicieuse où la nuit me surprenait souvent sans que je m'en fusse aperçu.
Page 58 - Bow'd their stiff necks, loaden with stormy blasts, Or torn up sheer. Ill wast thou shrouded then, O patient Son of God, yet only stood'st...
Page 201 - And behold, the LORD passed by, and a great and strong wind rent the mountains, and brake in pieces the rocks before the LORD; but the LORD was not in the wind: and after the wind an earthquake; but the LORD was not in the earthquake: And after the earthquake a fire; but the LORD was not in the fire: and after the fire a still small voice.
Page 167 - Le flux et le reflux de cette eau, son bruit continu, mais renflé par intervalles, frappant sans relâche mon oreille et mes yeux, suppléaient aux mouvements internes que la rêverie éteignait en moi, et suffisaient pour me faire sentir avec plaisir mon existence, sans prendre la peine de penser.
Page 202 - And after the earthquake a fire; but the LORD was not in the fire: and after the fire a still small voice. And it was so, when Elijah heard it, that he wrapped his face in his mantle, and went out, and stood in the entering in of the cave. And behold, there came a voice unto him, and said. What doest thou here, Elijah?
Page 4 - When any object, either of sublimity or beauty, is presented to the mind, 1 believe every man is conscious of a train of thought being immediately awakened in his imagination, analogous to the character or expression of the original object.