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The Merchant of Venice
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action Antonio appears argues audience Bassanio beauty become begins bond calls characters Christian circumcision claims Cleopatra comedy conventional course critics death describes desire discussion disguise effect Elizabethan English essay eyes fact fair father feel female feminine figure final friendship gender Gentlemen give hand heroines human ideal identity Julia kind lady language less letter live London look lover male marriage masculine means Merchant of Venice mother nature never offers person play plot poems poet poetic Portia possible present Press Proteus question reader refer relation relationship rhetorical ring role scene seems sense sequence sexual Shake Shakespeare Shylock Silvia social soliloquy sonnets stage suggests sweet thee thing thou tion traditional tragedy true turn University Valentine woman women York young youth