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action adds appears attempt attended Author believe body called cause character Christian church common concerning concludes consequence considerable considered contains continued directions disease divine doctrine effect endeavours equal experience express fame fays force former frequently friends give given hand hath human imagination judge kind late learned least less letters live Lord manner matter means mentioned method mind nature necessary never object observed occasion opinion original particular performance perhaps person philosophy practice present principles proceeds produce proper prove Readers reason received regard relation religion remarks requires respect Review rules says sect seems sometimes spirit sufficient suppose taken theſe thing thought tion translation treated true truth turn various whole writer
Page 282 - To bring a lover, a lady, and a rival into the fable; to entangle them in...
Page 284 - It is objected that by this change of scenes the passions are interrupted in their progression, and that the principal event, being not advanced by a due gradation of preparatory incidents, wants at last the power to move which constitutes the perfection of dramatic poetry.
Page 287 - A quibble is the golden apple for which he will always turn aside from his career or stoop from his elevation. A quibble, poor and barren as it is, gave him such delight that he was content to purchase it by the sacrifice of reason, propriety, and truth. A quibble was to him the fatal Cleopatra for which he lost the world and was content to lose it.
Page 373 - He has scenes of undoubted and perpetual excellence, but perhaps not one play, which, if it were now exhibited as the work of a contemporary writer, would be heard to the conclusion.
Page 214 - Never was any of her sex born with better gifts of the mind, or who more improved them by reading and conversation. Yet her memory was not of the best, and was impaired in the latter years of her life. But I cannot call to mind that I ever once heard her make a wrong judgment of persons, books, or affairs. Her advice was always the best, and with the greatest freedom, mixed with the greatest decency. She had a gracefulness, somewhat more than human, in every motion, word, and action.
Page 283 - Shakespeare, that his drama is the mirror of life; that he who has mazed his imagination, in following the phantoms which other writers raise up before him, may here be cured of his delirious ecstasies, by reading human sentiments in human language; by scenes from which a hermit may estimate the transactions of the world, and a confessor predict the progress of the passions.
Page 282 - But love is only one of many passions, and as it has no great influence upon the sum of life, it has little operation in the dramas of a poet, who caught his ideas from the living world, and exhibited only what he saw before him. He knew, that any other passion, as it was regular or exorbitant, was a cause of happiness or calamity.
Page 281 - Shakespeare is above all writers, at least above all modern writers, the poet of nature; the poet that holds up to his readers a faithful mirrour of manners and of life. His characters are not modified by the customs of particular places, unpractised by the rest of the world; by the peculiarities of studies or professions, which can operate but upon small numbers; or by the accidents of transient fashions or temporary opinions: they...
Page 287 - He has not, indeed, an intrigue regularly perplexed and regularly unravelled ; he does not endeavour to hide his design only to discover it, for this is seldom the order of real events, and Shakespeare...