The Roman Poets of the Augustan Age: Virgil |
From inside the book
Results 1-5 of 79
Page xiii
... imagination Vividness and realism of feeling characteristic of the Latin imagination Modes in which this vividness and realism are manifested by Virgil . 87-92 874 89 90 CHAPTER III . LIFE AND PERSONAL CHARACTERISTICS OF VIRGIL . I ...
... imagination Vividness and realism of feeling characteristic of the Latin imagination Modes in which this vividness and realism are manifested by Virgil . 87-92 874 89 90 CHAPTER III . LIFE AND PERSONAL CHARACTERISTICS OF VIRGIL . I ...
Page xx
... imagination in Virgil Conception and delineation of Aeneas . The minor characters of the poem Turnus Mezentius Dido . V. On the Style , etc. of the Aeneid . Virgil's imagination oratorical rather than dramatic Characteristics of the ...
... imagination in Virgil Conception and delineation of Aeneas . The minor characters of the poem Turnus Mezentius Dido . V. On the Style , etc. of the Aeneid . Virgil's imagination oratorical rather than dramatic Characteristics of the ...
Page 9
... imagination the ideal of a life of peace - ' far from the clash of arms , ' the vision of a place of rest after toil and danger — ' where the fates hold out to us peaceful dwelling - places ; ' just as the recoil from the political ...
... imagination the ideal of a life of peace - ' far from the clash of arms , ' the vision of a place of rest after toil and danger — ' where the fates hold out to us peaceful dwelling - places ; ' just as the recoil from the political ...
Page 20
... imagination of the cultivated classes , and at the same time to glorify the 1 Sueton . De Vita Caesarum , ii . 90 et seq . § 3 ] INFLUENCE OF PATRONAGE 21 actual successes of 20 [ CH . I GENERAL INTRODUCTION Direction given to national ...
... imagination of the cultivated classes , and at the same time to glorify the 1 Sueton . De Vita Caesarum , ii . 90 et seq . § 3 ] INFLUENCE OF PATRONAGE 21 actual successes of 20 [ CH . I GENERAL INTRODUCTION Direction given to national ...
Page 21
... imagination , susceptible as it is in the highest degree of emotions produced by the spectacle of ancient or powerful government or of a people nobly asserting its freedom , has little prophetic insight into the working of political ...
... imagination , susceptible as it is in the highest degree of emotions produced by the spectacle of ancient or powerful government or of a people nobly asserting its freedom , has little prophetic insight into the working of political ...
Other editions - View all
Common terms and phrases
admiration Aeneid Alexandrine allusions ancient appears artistic associations atque Augustan Age Augustan literature Augustus beauty belief Book Catullus century character charm Cicero composition connexion contemporary criticism cultivated culture Daphnis didactic divine early Eclogues Emperor Empire Ennius epic epic poetry episodes expression familiar fancies favour feeling force Gallus genius Georgics glory Greece Greek Hesiod Homer human idea ideal idyl imagination imitative impression influence inspiration interest Italian Italy Julius Caesar labour land language Latin lines literary literature living Lucretius Maecenas Mantua mind modern mythology native Nature Odes original outward Ovid passage passion pastoral philosophical poem poetical poetry poets political Pollio probably Propertius race realise recognised regarded religious representation Republic Roman Rome Satires seems sense sentiment shepherds song spirit style suggested sympathy taste Theocritus thought Tibullus traditions various verse Virgil Virgil and Horace words writers youth
Popular passages
Page 170 - ... hinc tibi quae semper vicino ab limite saepes Hyblaeis apibus florem depasta salicti saepe levi somnum suadebit inire susurro hinc alta sub rupe canet frondator ad auras nee tamen interea raucae tua cura palumbes nee gemere aeria cessabit turtur ab ulmo.
Page 170 - PR o mihi tum longae maneat pars ultima vitae, spiritus et, quantum sat erit tua dicere facta : non me carminibus vincet nee Thracius Orpheus, 55 nee Linus, huic mater quamvis atque huic pater adsit, Orphei Calliopea, Lino formosus Apollo.
Page 347 - Eridani per silvam volvitur amnis. hie manus ob patriam pugnando volnera passi, 660 quique sacerdotes casti, dum vita manebat, quique pii vates et Phoebo digna locuti, inventas aut qui vitam excoluere per artes, quique sui memores alios fecere merendo ; omnibus his nivea cinguntur tempora vitta.
Page 150 - Saepibus in nostris parvam te roscida mala (dux ego vester eram) vidi cum matre legentem. alter ab undecimo tum me iam acceperat annus; iam fragilis poteram ab terra contingere ramos. 40 ut vidi ut perii, ut me malus abstulit error.
Page 372 - Ille nihil ; nee me quaerentem vana moratur : Sed graviter gemitus imo de pectore ducens, ' Heu ! fuge, nate dea, teque his, ' ait,
Page 331 - En, qui nostra sibi bello connubia poscunt ! Quis deus Italiam, quae vos dementia adegit ? Non hic Atridae, nec fandi fictor Ulixes. Durum a stirpe genus natos ad flumina primum Deferimus saevoque gelu duramus et undis ; Venatu invigilant pueri, silvasque fatigant ; Flectere ludus equos et spicula tendere cornu. At patiens operum parvoque adsueta iuventus Aut rastris terram domat, aut quatit oppida bello.
Page 408 - Fly hence, our contact fear: Still fly, plunge deeper in the bowering wood! Averse, as Dido did with gesture stern From her false friend's approach in Hades turn, Wave us away, and keep thy solitude!
Page 415 - Turnus vertitur arma tenens, et toto vertice supra est; ceu septem surgens sedatis amnibus altus 30 per tacitum Ganges, aut pingui flumine Nilus cum refluit campis et iam se condidit alveo.
Page 10 - Hinc Augustus agens Italos in proelia Caesar cum patribus populoque, Penatibus et magnis dis...
Page 260 - Roma, septemque una sibi muro circumdedit arces. 535 ante etiam sceptrum Dictaei regis, et ante impia quam caesis gens est epulata iuvencis, aureus hanc vitam in terris Saturnus agebat.