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according action ancient answer appear beauty become better bound called cause century character Chaucer cloth cloth extra College colour conceived criticism Crown 8vo delight divine doth drama Dryden Edited effect Elizabethan English example excellent expression F'cap 8vo feeling genius give hand hath heart highest human ideas Illustrations imagination imitation kind knowledge language laws learned least less light literature live manner mark matter means method mind moral move nature never object once original painting passion perhaps person philosopher play pleasure poem poesy poet poetical poetry present principles question reason rhyme sense soul sound speak spirit story Strongly taken things thought tion true truth universal verse virtue volume whole writers written
Page xlvii - All the images of Nature were still present to him, and he drew them not laboriously, but luckily: when he describes any thing, you more than see it, you feel it too. Those who accuse him to have wanted learning, give him the greater commendation: he was naturally learned: he needed not the spectacles of books to read Nature; he looked inwards, and found her there.
Page 133 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Page 126 - O, now, for ever Farewell the tranquil mind ! farewell content ! Farewell the plumed troop, and the big wars, That make ambition virtue ! O, farewell ! Farewell the neighing steed, and the shrill trump, The spirit-stirring drum, th...
Page 102 - To move, but doth if th' other do. And, though it in the centre sit, Yet, when the other far doth roam, It leans and hearkens after it, And grows erect as that comes home. Such wilt thou be to me, who must Like th
Page 163 - For he not only beholds intensely the present as it is, and discovers those laws according to which present things ought to be ordered, but he beholds the future in the present, and his thoughts are the germs of the flower and the fruit of latest time.
Page 124 - The poet's eye, in a fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven; And, as imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes, and gives to airy nothing A local habitation, and a name. Such tricks hath strong imagination, That, if it would but apprehend some joy, It comprehends some bringer of that joy ; Or, in the night, imagining some fear.
Page 87 - ... wrote rather as beholders than partakers of human nature ; as Beings looking upon good and evil, impassive and at leisure ; as Epicurean deities, making remarks on the actions of men, and the vicissitudes of life, without interest and without emotion. Their courtship was void of fondness, and their lamentation of sorrow. Their wish was only to say what they hoped had never been said before.
Page 23 - But he cometh to you with words set in delightful proportion, either accompanied with, or prepared for, the wellenchanting skill of music; and with a tale, forsooth, he cometh unto you, with a tale which holdeth children from play, and old men from the chimney-corner...
Page 8 - Nature never set forth the earth in so rich tapestry as divers poets have done, neither with so pleasant rivers, fruitful trees, sweet-smelling flowers, nor whatsoever else may make the too much loved earth more lovely. Her world is brazen, the poets only deliver a golden.
Historical Point of View in English Literary Criticism from 1570-1770
George M. Miller
No preview available - 1913
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Richardson and Fielding: The Dynamics of a Critical Rivalry
Limited preview - 1999