Textual Intervention: Critical and Creative Strategies for Literary Studies

activity actual readers agent positions Allthe alternative Amryl Johnson analysis Bakhtin base text calf centre con­ consider contexts conversation creative critical critical-creative Crusoe cultural depersonalised Descartes dialectical dialogue discourse distinct Doll's House drama dynamic verbs English EsTRAGON experience explore Felix Mnthali Figure film frame genre Hamlet heteroglossia historical identify inferences initial instance inter­ interaction interpersonal intertextual kinds language Last Duchess linguistic literary meanings metatextual monologue narrative narrator non/sense nouns novel observed offered overall participants particular passage perceptual perhaps personal pronouns Peugeot 205 play political potential practice precisely preferences present processes and circumstances production questions re-centring re-writing reading realised recognise relations response Rob Pope Robert Browning Robinson Crusoe s/he sense simply speaking specific speech story strategies structures subject positions T.S. Eliot tense text's textual intervention things transformation verbal verbs VLADIMIR voices words writing