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It is in this Collection by Savage writer's admirable satire on the class of literary prostitutes. It is entitled "An Author to be let, by Iscariot Hackney." It has been ably commended by Johnson in his Life of Savage, and on

find the his recommendation, Thomas Davies inserted it in his Collection of Fugitive Pieces; but such is the careless curiosity of modern re-publishers, that often, in preserving a decayed body, they are apt to drop a limb: this was the case with Davies ; for he has dropped the preface, far more exquisite than the work itself. A morsel of such poignant relish betrays the hand of the master, who snatched the pen for a moment.

first principle, that all accusations against a man's character, without an attester, are presumed to be slanders and lies, and in this case every gentleman, though "Knight of the Bathos," is merely a liar and scoundrel.

The indelicacies of the " Dunciad" are thus wittily apologised for :

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This preface defends Pope from the two great objections justly raised at the time against the "You assure us he is not only a bad poet," Dunciad :" one is, the grossness and filthiness but a stealer from bad poets: if so, you have just of its imagery; and the other, its reproachful cause to complain of invasion of property. You allusions to the poverty of the authors. assure us he is not even a versifier, but steals the sound of his verses; now, to steal a sound is as ingenious as to paint an echo. You cannot bear They are suitable to the subject; a subject || gentlemen should be treated as vermin and reptiles; composed, for the most part, of authors whose now, to be impartial, you were compared to flying-writings are the refuse of wit, and who in life are fishes, didappers, tortoises, and parrots, &c. not vermin, but curious and beautiful creatures"alluding to the abuse, in this Epistle, on such authors as Atterbury, Arbuthnot, Swift, the Duke of Buckingham, &c. The Popeian concludes:"After all, your poem, to comfort you, is more innocent than the Dunciad; for in the one there's no man abused, but is very well pleased to be abused in such company; whereas, in the other, there's no man so much as named, but is extremely affronted to be ranked with such people as style each other the dullest of men."

The publication of the Dunciad, however, drove the Theobaldians out of the field. Guerillas, such as the "One Epistle," sometimes appeared, but their heroes struck and skulked away. A Theobaldian, in an Epigram, compared the Dunciad of Pope to the offspring of the celebrated Pope Joan. The neatness of his wit is hardly blunted by a pun. He who talks of Pope's "stealing a sound," seems to have practised that invisible art himself, for the verse is musical as Pope's.

TO THE AUTHOR OF THE DUNCIAD.

the very excrement of Nature. Mr. Pope has, too, used dung; but he disposes that dung in such a manner that it becomes rich manure, from which he raises a variety of fine flowers. He deals in rags; but like an artist, who commits them to a paper-mill, and brings them out useful sheets. The chemist extracts a fine cordial from the most nauseous of all dung; and Mr. Pope has drawn a sweet poetical spirit from the most offensive and unpoetical objects of the creation-unpoetical, though eternal writers of poetry."

The reflections on the poverty of its heroes are thus ingeniously defended :-" Poverty, not proceeding from folly, but which may be owing to virtue, sets a man in an amiable light; but when our wants are of our own seeking, and prove the motive of every ill action (for the poverty of bad authors has always a bad heart for its companion), is it not a vice, and properly the subject of satire ?" The preface then proceeds to show how "all these said writers might have been good mechanics." He illustrates his principles with a most ungracious account of several of his contemporaries. I shall give a specimen of what I consider as the polished

"With rueful eyes thou view'st thy wretched sarcasm and caustic humour of Pope, on some

race,

The child of guilt, and destined to disgrace.
Thus when famed Joan usurp'd the Pontiff's

chair,

With terror she beheld her new-born heir:
Ill-starr'd, ill-favour'd into birth it came;
In vice begotten, and brought forth with shame!
In vain it breathes, a lewd abandon'd hope!
And calls in vain, the unhallow'd father-Pope!"

The answers to this Epigram by the Popeians are too gross. The "One Epistle" is attributed to James Moore Smyth, in alliance with Welsted, and other unfortunate heroes.

favourite subjects.

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Mr. Thomas Cooke.-His enemies confess

him not without merit. To do the man justice, he might have made a tolerable figure as a Tailor. 'Twere too presumptuous to affirm he could have been a master in any profession; but, dull as I allow him, he would not have been despicable for a third or a fourth hand journeyman. Then had his wants have been avoided; for, he would at

least have learned to cut his coat according to his cloth.

"Why would not Mr. Theobald continue an attorney? Is not Word-catching more serviceable in splitting a cause, than explaining a fine poet?

“When Mrs. Haywood ceased to be a strolling- acknowledged he mistook the meaning. When actress, why might not the lady (though once a the Treatise of "The Bathos" appeared, Pope theatrical queen) have subsisted by turning washerwoman? Has not the fall of greatness been a frequent distress in all ages? She might have caught a beautiful bubble, as it arose from the suds of her tub, blown it in air, seen it glitter, and then break! Even in this low condition, she had played with a bubble; and what more is the vanity of human greatness?

"Had it not been an honester and more decent livelihood for Mr. Norton (Daniel De Foe's son of love by a lady who vended oysters) to have dealt in a fish-market, than to be dealing out the dialects of Billingsgate in the Flying-post?

"Had it not been more laudable for Mr. Roome, the son of an undertaker, to have borne a link and a mourning-staff, in the long procession of a funeral-or even been more decent in him to have sung psalms, according to education, in an Anabaptist meeting, than to have been altering the Jovial Crew, or Merry Beggars, into a wicked imitation of the Beggar's Opera?"

This satire seems too exquisite for the touch of Savage, and is quite in the spirit of the author of the Dunciad. There is, in Ruffhead's Life of Pope, a work to which Warburton contributed all his care, a passage which could only have been written by Warburton. The strength and coarseness of the imagery could never have been produced by the dull and feeble intellect of Ruffhead: it is the opinion, therefore, of Warburton himself, on the Dunciad. "The good purpose intended by this satire was, to the herd in general, of less efficacy than our author hoped; for scribblers have not the common sense of other vermin, who usually abstain from mischief, when they see any of their kind gibbetted or nailed up, as terrible examples." -Warburton employed the same strong image in one of his threats.-See p. 166, note.

insisted he had again mistaken the initials A. H.Hill gently attacked Pope in "a paper of very pretty verses," as Pope calls them. When the Dunciad appeared, Hill is said "to have published pieces, in his youth, bordering upon the bombast." This was as light a stroke as could be inflicted; and which Pope, with great good-humour, tells Hill, might be equally applied to himself; for he always acknowledged, that when a boy, he had written an Epic poem of that description; would often quote absurd verses from it, for the diversion of his friends; and actually inserted some of the most extravagant ones in the very Treatise on "The Bathos." Poor Hill, however, was of the most sickly delicacy, and produced "The Caveat," another gentle rebuke, where Pope is represented as "sneakingly to approve, and want the worth to cherish or befriend men of merit." In the course of this correspondence, Hill seems to have projected the utmost stretch of his innocent malice; for he told Pope, that he had almost finished "an Essay on Propriety and Impropriety in Design, Thought, and Expression, illustrated by examples in both kinds, from the writings of Mr. Pope;" but he offers, if this intended work should create the least pain to Mr. Pope, he was willing, with all his heart, to have it run thus: "An Essay on Propriety and Impropriety, &c., illustrated by Examples of the first, from the writings of Mr. Pope, and of the rest, from those of the author."-To the romantic generosity of this extraordinary proposal, Pope replied, "I acknowledge your generous offer, to give examples of imperfections rather out of your own works than mine: I consent, with all my heart, to your confining them to mine, for two reasons: the one, that I fear your sensibility that way is greater than my own: the other is a better;

One of Pope's Literary Quarrels must be namely, that I intend to correct the faults you distinguished for its romantic cast.

In the Treatise on the Bathos, the initial letters of the bad writers occasioned many heartburns; and, among others, Aaron Hill suspected he was marked out by the letters A. H. This gave rise to a large correspondence between Hill and Pope. Hill, who was a very amiable man, was infinitely too susceptible of criticism; and Pope, who seems to have had a personal regard for him, injured those nice feelings as little as possible. Hill had published a panegyrical poem on Peter the Great, under the title of "The Northern Star;" and the bookseller had conveyed to him a criticism of Pope's, of which Hill publicly

find, if they are such as I expect from Mr. Hill's cool judgment*.”

Where, in literary history, can be found the parallel of such an offer of self-immolation? This was a literary quarrel like that of lovers, where to hurt each other would have given pain to both parties. Such skill and desire to strike, with so much tenderness in inflicting a wound; so much compliment, with so much complaint; have perhaps never met together, as in the romantic hostility of this literary chivalry.

*The six Letters are preserved in Ruffhead's Appendix, No. I.

A NARRATIVE

OF THE

EXTRAORDINARY TRANSACTIONS RESPECTING THE PUBLICATION OF POPE'S LETTERS.

JOHNSON observes, that "one of the passages of POPE's life which seems to deserve some inquiry, was the publication of his letters by CURLL, the rapacious bookseller." Our great literary biographer has expended more research on this occasion than his usual penury of literary history allowed; and yet has only told the close of the strange transaction-the previous parts are more curious, and the whole cannot be separated. Joseph Warton has only transcribed Johnson's narrative. It is a piece of literary history of an uncommon complexion; and it is worth the pains of telling, if Pope, as I consider him to be, was the subtile weaver of a plot, whose texture had been close enough for any political conspiracy. It throws a strong light on the portrait I have touched of him. He conducted all his literary transactions with the arts of a Minister of State; and the genius which he wasted on this literary stratagem, in which he so completely succeeded, might have been perhaps sufficient to have organised rebellion.

It is well known that the origin of Pope's first letters given to the public, arose from the distresses of a cast-off mistress of one of his old friends (H. Cromwell), who had given her the letters of Pope, which she knew to value: these she afterwards sold to Curll, who preserved the originals in his shop, so that no suspicions could arise of their authenticity. This very collection is now deposited among Rawlinson's MSS. at the Bodleian.

This single volume was successful; and when Pope, to do justice to the memory of Wycherley, which had been injured by a posthumous volume, printed some of their letters, Curll, who seemed now to consider that all he could touch was his own property, and that his little volume might serve as a foundation-stone, immediately announced a new edition of it, with Additions, meaning to include the letters of Pope and Wycherley. Curll now became so fond of Pope's Letters, that he advertised for any: no questions to be asked." Curll was willing to be credulous: having proved to the world he had some originals, he imagined these would sanction even spurious ones. A man who, for a particular purpose, sought to be imposed on, easily obtained his wish: they translated

letters of Voiture to Mademoiselle Rambouillet, and despatched them to the eager Bibliopolist to print, as Pope's to Miss Blount. He went on increasing his collection; and, skilful in catering for the literary taste of the town, now inflamed their appetite by dignifying it with "Mr. Pope's Literary Correspondence!"

But what were the feelings of Pope during these successive surreptitious editions? He had discovered that his genuine letters were liked; the grand experiment with the public had been made for him, while he was deprived of the profits; yet for he himself to publish his own letters, which I shall prove he had prepared, was a thing unheard of in the nation. All this was vexatious; and to stop the book-jobber and open the market for himself, was a point to be obtained.

While Curll was proceeding, wind and tide in his favour, a new and magnificent prospect burst upon him. A certain person, masked by the initials P. T., understanding Curll was preparing a Life of Pope, offered him "divers Memoirs gratuitously;" hinted that he was well known to Pope; but the poet had lately "treated him as a stranger." P. T. desires an answer from E. C. by the Daily Advertiser, which was complied with. There are passages in this letter which, I think, prove Pope to be the projector of it: his family is here said to be allied to Lord Downe's; his father is called a merchant. Pope could not bear the reproach of Lady Mary's line :—

"Hard as thy heart, and as thy birth obscure." He always hinted at noble relatives; but Tyers tells us, from the information of a relative, that "his father turns out, at last, to have been a linendraper in the Strand:" therefore P. T. was at least telling a story which Pope had no objection should be repeated.

The second letter of P. T., for the first was designed only to break the ice, offers Curll "a large Collection of Letters from the early days of Pope to the year 1727." He gives an excellent notion of their value: "They will open very many scenes new to the world, and make the most authentic Life and Memoirs that could be." He desires they may be announced to the world immediately, in Curll's precious style, that he

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might not appear himself to have set the whole thing a-foot, and afterwards he might plead he had only sent some letters to complete the Collection." He asks nothing, and the originals were offered to be deposited with Curll.

Curll, secure of this promised addition, but still craving for more and more, composed a magnificent announcement, which, with P. T.'s entire correspondence, he inclosed in a letter to Pope himself. The letters were now declared to be a "Critical, Philological, and Historical Correspondence."His own letter is no bad specimen of his keen sense; but after what had so often passed, his impudence was equal to the better quality.

"Sir,

"To convince you of my readiness to oblige you, the inclosed is a demonstration. You have, as he says, disobliged a gentleman, the initial

letters of whose name are P. T. I have some other papers in the same hand, relating to your family, which I will show, if you desire a sight of

them. Your letters to Mr. Cromwell are out of

print; and I intend to print them very beautifully, in an octavo volume. I have more to say than is proper to write; and if you will give me a meeting, I will wait on you with pleasure, and close all differences between you and yours,

"E. CURLL."

Pope, surprised, as he pretends, at this address, consulted with his friends; everything evil was suggested against Curll. They conceived that his real design was "to get Pope to look over the former edition of his Letters to Cromwell, and then to print it, as revised by Mr. Pope; as he sent an obscene book to a Bishop, and then advertised it as corrected and revised by him;" or perhaps to extort money from Pope for suppressing the MS. of P. T. and then publish it, saying P. T. had kept another copy. Pope thought proper to answer only by this public advertisement :

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Whereas A. P. hath received a letter from E. C., bookseller, pretending that a person, the initials of whose name are P. T., hath offered the said E. C.. to print a large Collection of Mr. P.'s Letters, to which E. C. required an answer: A. P. having never had, nor intending to have, any private correspondence with the said E. C., gives it him in this manner. That he knows no such person as P. T.; that he believes he hath no such collection; and that he thinks the whole a forgery, and shall not trouble himself at all about it."

Curll replied, denying he had endeavoured to correspond with Mr. Pope, and affirms that he had written to him by direction.

It is now the plot thickens. P. T. suddenly takes umbrage, accuses Curll of having "betrayed him to Squire Pope,' but you and he both shall

·

soon be convinced it was no forgery. Since you would not comply with my proposal to advertise, I have printed them at my own expense." He offers the books to Curll for sale.

Curll on this has written a letter, which takes a full view of the entire transaction. He seems to have grown tired of what he calls "such jealous, groundless, and dark negotiations." P. T. now found it necessary to produce something more than a shadow-an agent appears, whom Curll considered to be a clergyman, who assumed the name of R. Smith. The first proposal was, that P. T.'s letters should be returned, that he might feel secure from all possibility of detection; so that P. T. terminates his part in this literary freemasonry as a non-entity.

Here Johnson's account begins." Curll said,

that one evening a man in a clergyman's gown, but with a lawyer's band, brought and offered to sale a number of printed volumes, which he found

to be Pope's Epistolary Correspondence; that he asked no name, and was told none, but gave the price demanded, and thought himself authorised to use his purchase to his own advantage." Smith, the clergyman, left him some copies, and promised

more.

Curll now, in all the elation of possession, rolled his thunder in an advertisement still higher than ever." Mr. Pope's Literary Correspondence regularly digested, from 1704 to 1734:" to lords, earls, baronets, doctors, ladies, &c. with their respective answers, and whose names glittered in the advertisement. The original MSS. were also announced to be seen at his house.

But at this moment Curll had not received many books, and no MSS. The advertisement produced the effect designed: it roused public notice, and it alarmed several in the House of Lords. Pope doubtless instigated his friends there. The Earl of Jersey moved, that to publish letters of lords was a breach of privilege; and Curll was brought before the House.

This was an unexpected incident; and P. T. once more throws his dark shadow across the path of Curll to hearten him, had he wanted courage to face all the lords. P. T. writes to instruct him in his answers to their examination; but to take the utmost care to conceal P. T.; he assures him that the lords could not touch a hair of his head if he behaved firmly; that he should only answer their interrogatories by declaring he received the letters from different persons; that some were given, and some were bought. P. T. reminds one, on this occasion, of Junius's correspondence on a like threat with his publisher.

"Curll appeared at the bar," says Johnson, "and knowing himself in no great danger, spoke of Pope with very little reverence. 'He has,'

said Curll, a knack at versifying; but in prose I think myself a match for him.' When the Orders of the House were examined, none of them appeared to have been infringed: Curll went away triumphant, and Pope was left to seek some other remedy." The fact, not mentioned by Johnson, is, that though Curll's flourishing advertisement had announced letters written by lords, when the volumes were examined not one written by a lord appeared.

The letter Curll wrote on the occasion to one of these dark familiars, the pretended clergyman, marks his spirit and sagacity. It contains a remarkable passage. Some readers will be curious to have the productions of so celebrated a personage, who appears to have exercised considerable talents.

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"I am just again going to the Lords to finish Pope. I desire you to send me the sheets to perfect the first fifty books, and likewise the remaining three hundred books: and pray be at the Standard Tavern this evening, and I will pay you twenty pounds more. My defence is right; I only told the lords I did not know from whence the books came, and that my wife received them. This was strict truth, and prevented all further inquiry. The lords declared they had been made Pope's tools. I put myself on this single point, and insisted, as there was not any Peer's letter in the book, I had not been guilty of any breach of privilege. I depend that the books and the imperfections will be sent; and believe of P. T. what I hope he believes of me.

"For the Rev. Mr. Smith."

The reader observes that Curll talks of a great number of books not received, and of the few which he has received, as imperfect. The fact is, the whole bubble is on the point of breaking. He, masked in the initial letters, and he, who wore the masquerade dress of a clergyman's gown with a lawyer's band, suddenly picked a quarrel with the duped bibliopolist: they now accuse him of a design he had of betraying them to the Lords!

The tantalized and provoked Curll then addressed the following letter to "The Rev. Mr. Smith," which, both as a specimen of this celebrated personage's " prose,' e," in which he thought himself "a match for Pope," and exhibiting some traits of his character, will entertain the curious reader.

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came from across the water, nor ever named you; all I said was, that the books came by water. 4. When the books were seized, I sent my son to convey a letter to you; and as you told me everybody knew you in Southwark, I bid him make a strict inquiry, as I am sure you would have done in such an exigency. 5. Sir, I have acted justly in this affair, and that is what I shall always think wisely. 6. I will be kept no longer in the dark; P. T. is Will o' the Wisp; all the books I have had are imperfect; the first fifty had no titles nor prefaces; the last five bundles seized by the Lords contained but thirty-eight in each bundle, which amounts to one hundred and ninety, and fifty, is in all but two hundred and forty books. 7. As to the loss of a future copy, I despise it, nor will I be concerned with any more such dark suspicious dealers. But now, sir, I'll tell you what I will do: when I have the books perfected which I have already received, and the rest of the impression, I will pay you for them. But what do you call this usage? First take a note for a month, and then want it to be changed for one of Sir Richard Hoare's. My note is as good, for any sum I give it, as the Bank, and shall be as punctually paid. I always say, gold is better than paper. But if this dark converse goes on, I will instantly reprint the whole book; and, as a supplement to it, all the letters P. T. ever sent me, of which I have exact copies, together with all your originals, and give them in upon oath to my Lord Chancellor. You talk of trust-P. T. has not reposed any in me, for he has my money and notes for imperfect books. Let me see, sir, either P. T. or yourself, or you'll find the Scots proverb verified, Nemo me impune lacessit.

"Your abused humble servant,
"E. CURLL.

"P.S. Lord
I attend this day. LORD
DELAWAR I SUP WITH TO-NIGHT. Where
Pope has one lord, I have twenty."

After this, Curll announced "Mr. Pope's Literary Correspondence, with the initial correspondence of P. T. R. S. &c." But the shadowy correspondents now publicly declared that they could give no title whatever to Mr. Pope's letters, with which they had furnished CURLL, and never pretended any; that therefore any bookseller had the same right of printing them: and, in respect to money matters between them, he had given them notes not negotiable, and had never paid them fully for the copies, perfect and imperfect, which he had sold.

Thus terminated this dark transaction between Curll and his initial correspondents. He still persisted in printing several editions of the letters of Pope, which furnished the poet with a modest

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