critic can mean by "polished numbers, freedom, and spirit." The passage is curious:

"By your first criticism, polished numbers, if you mean melodious versification, this perhaps the general ear will not deny me. If you mean classical, chaste diction, free from tautologous repetitions of the same thoughts in different expressions; free from bad rhymes, unnecessary epithets, and incongruous metaphors; I believe you may be safely challenged to produce many instances wherein I have failed.

acknowledges "Mr. Scott's poem is just and elegant," but "Mr. Hayley's is likewise just and elegant;" therefore, if one man has written a piece "just and elegant," there is no need of another on the same subject "just and elegant." To such an extreme point of egotism was a modest and respectable author most cruelly driven, by the callous playfulness of a poetical critic, who himself had no sympathy for poetry of any quality or any species, and whose sole art consisted in turning about the canting dictionary of criticism. Had Homer been a modern candidate for poetical honours, from him Homer had not been distinguished, even from the mediocrity of Scott of Amwell, whose poetical merits are not, however, slight. In his Amoebean eclogues, he may be

A VOLUMINOUS AUTHOR WITHOUT

JUDGMENT.

By freedom, your second criterion, if you mean daring transition, or arbitrary and desultory disposition of ideas, however this may be required in the greater ode, it is now, I believe, for the first time, expected in the lesser ode. If you mean that careless, diffuse composition, that conversation-distinguished as the poet of botanists. verse, or verse loitering into prose, now so fashionable, this is an excellence which I am not very ambitious of attaining. But if you mean strong, concise, yet natural easy expression, I apprehend the general judgment will decide in my favour. To the general ear, and the general judgment, then do I appeal, as to an impartial tribunal." Here several odes are transcribed. "By spirit, your third criticism, I know nothing you can mean but enthusiasm ; that which transports us to every scene, and interests us in every sentiment. Poetry without this cannot subsist; every species demands its proportion, from the greater ode, of which it is the principal characteristic, to the lesser, in which a small portion of it only has hitherto been thought requisite. My productions, I apprehend, have never before been deemed destitute of this essential constituent. Whatever I have wrote, I have felt, and I believe others have felt it also."

On "the epistles," which had been condemned in the gross, suddenly the critic turns round courteously to the bard, declaring "they are written in an easy and familiar style, and seem to flow from a good and a benevolent heart." But then sneeringly adds, that one of them being entitled "An Essay on Painting, addressed to a young Artist, had better have been omitted, because it had been so fully treated in so masterly a manner by Mr. Hayley." This was letting fall a spark in a barrel of gunpowder. Scott immediately analyses his brother poet's poem, to show they have nothing in common; and then compares those similar passages the subject naturally produced, to show that "his poem does not suffer greatly in the comparison." “You may,” he adds, after giving copious extracts from both poems, "persist in saying that Mr. Hayley's are the best. Your business then is to prove it." This, indeed, had been a very hazardous affair for our medical critic, whose poetical feelings were so equable, that he

VAST erudition, without the tact of good sense, in a voluminous author, what a calamity! for to such a mind no subject can present itself on which he is unprepared to write, and none at the same time on which he can ever write reasonably. The name and the works of WILLIAM PRYNNE have often come under the eye of the reader; but it is even now difficult to discover his real character: for Prynne stood so completely insulated amid all parties, that he was ridiculed by his friends, and execrated by his enemies. The exuberance of his fertile pen, the strangeness and the manner of his subjects, and his pertinacity in voluminous publication, are known, and are nearly unparalleled in literary history.

Could the man himself be separated from the author, Prynne would not appear ridiculous; but the unlucky author of nearly two hundred works*,

*That all these works should not be wanting to pos

terity, Prynne deposited the complete collection in the library of Lincoln's Inn, about forty volumes in folio and quarto. Noy, the Attorney-General, Prynne's great

adversary, was provoked at the society's acceptance of

these ponderous volumes, and promised to send them the voluminous labours of Taylor the water-poet, to place by their side; he judged, as Wood says, that "Prynne's books were worth little or nothing; that his proofs were no arguments, and his affirmations no testimonies." But honest Anthony, in spite of his prejudices against Prynne, confesses, that though" by the generality of scholars they are looked upon to be rather rhapsodical and confused, than polite or concise; yet, for Antiquaries, Critics, and

sometimes for Divines, they are useful." Such erudition as Prynne's always retains its value-the author who could quote a hundred authors on "the unloveliness of love-locks," will always make a good literary chest of drawers, well filled, for those who can make better use of their contents than himself.

and who, as Wood quaintly computes, "must by limb, Prynne had been in his mind a very have written a sheet every day of his life, reckon-polypus, which cut into pieces, still loses none of ing from the time that he came to the use of its individuality. reason and the state of man," has involved his life

His conduct on the last of these occasions, when in his authorship; the greatness of his character sentenced to be stigmatised, and to have his ears loses itself in his voluminous works; and what-cut close, must be noticed. Turning to the exeever Prynne may have been in his own age, and cutioner, he calmly invited him to do his dutyremains to posterity, he was fated to endure all the "Come, friend, come, burn me! cut me! I fear calamities of an author who has strained learning not! I have learned to fear the fire of hell, and into absurdity, and abused zealous industry by not what man can do unto me; come, scar me ! chimerical speculation. scar me!" In Prynne this was not ferocity, but heroism; Bastwick was intrepid out of spite, and Burton from fanaticism. The executioner had been urged not to spare his victims; and he performed his office with extraordinary severity, cruelly heating his iron twice, and cutting one of Prynne's ears so close, as to take away a piece of the cheek. Prynne stirred not in the torture; and when it was done, smiled, observing, "The more I am beaten down, the more I am lift up." After this punishment, in going to the Tower by water, he composed the following verses on the two letters branded on his cheek, S. L. for schis

Yet his activity, and the firmness and intrepidity of his character in public life, were as ardent as they were in his study-his soul was Roman; and Eachard says, that Charles II., who could not but admire his earnest honesty, his copious learning, and the public persecutions he suffered, and the ten imprisonments he endured, inflicted by all parties, dignified him with the title of "the Cato of the Age ;" and one of his own party facetiously described him as "William the Conqueror," a title he had most hardly earned by his inflexible and invincible nature. Twice he had been cropped of his ears; for at the first time thematical libeller, but which Prynne chose to translate executioner having spared the two fragments, the 'Stigmata Laudis," the stigmas of his enemy, inhuman judge on his second trial discovering the Archbishop Laud. them with astonishment, ordered them to be most unmercifully cropped-then he was burned on his cheek, and ruinously fined, and imprisoned in a remote solitude*,-but had they torn him limb

+ Prynne seems to have considered being debarred from pen, ink, and books, as an act more barbarous than

the loss of his ears. See his curious book of "A New Discovery of the Prelate's Tyranny; it is a complete collection of everything relating to Prynne, Bastwick, and Burton; three political fanatics, who seem impatiently to have courted the fate of Marsyas. Prynne in his voluminous argument, proving the illegality of the sentences he had suffered, in his ninth point thus gives way to all the feelings of Martinus Scriblerus :-" Point 9th, that the prohibiting of me pen, ink, paper, and books, is against law." He employs an argument to prove

"Stigmata maxillis referens insignia LAUDIS,
Exultans remeo, victima grata Deo."

The heroic man, who could endure agony and insult, and even thus commemorate his sufferings, with no unpoetical conception, almost degrades his own sublimity when the poetaster sets our teeth on edge by his verse.

"Bearing Laud's stamps on my cheeks I retire
Triumphing, God's sweet sacrifice by fire."

The triumph of this unconquered being was, indeed, signal. History scarcely exhibits so wonderful a reverse of fortune, and so strict a retribution, as occurred at this eventful period. He, who that the abuse of any lawful thing never takes away the had borne from the archbishop, and the lords in the Star Chamber, the most virulent invectives,

use of it; therefore the law does not deprive gluttons or drunkards of necessary meat and drink; this analogy he applies to his pen, ink, and books, of which they could not deprive him, though they might punish him for their abuse. He asserts that the popish prelates, in the reign

of Mary, were the first who invented this new torture of

depriving a scribbler of pen and ink. He quotes a long

in his love of scribbling, I transcribe the following title of one of his extraordinary works. He published "Comfortable cordials against discomfortable fears of Imprisonment,

containing some Latin verses, sentences and texts of Scripture, written by Mr. Wm. Prynne on his chamber

walls in the Tower of London during his imprisonment there; translated by him into English verse, 1641. Prynne literally verifies Pope's description

passage from Ovid's Tristia, to prove, that though exiled
to the Isle of Pontus for his wanton books of love, pen and
ink were not denied him to compose new poems; that St.
John, banished to the Isle of Patmos by the persecuting
Domitian, still was allowed pen and ink, for there he
wrote the Revelation - and he proceeds with similar
facts. Prynne's books abound with uncommon facts on
common topics, for he had no discernment; and he seems
to have written to convince himself, and not the public. During
But to show the extraordinary perseverance of Prynne Since

"Is there who lock'd from ink and paper, scrawls
With desperate charcoal round his darken'd walls?"
We have alse a catalogue of printed books written by
Wm. Prynne, of Lincoln's-Inn, Esq., in these classes-
Before

his imprisonment, with the motto Jucundi
acti labores. 1643.

wishing them at that instant seriously to consider that some who sat there on the bench might yet stand prisoners at the bar, and need the favour they now denied at length saw the prediction completely verified. What were the feelings of Laud, when Prynne, returning from his prison of Mount Orgueil, in triumph, the road strewed with boughs, amid the acclamations of the people entered the apartment in the Tower which the venerable Laud now in his turn occupied. The unsparing Puritan sternly performed the office of rifling his papers, and persecuted the helpless

* The interesting particulars of this interview have been preserved by the Archbishop himself-and it is curious to observe how Laud could now utter the same

tones of murmur and grief to which Prynne himself had recently given way. Studied insult in these cases accompanies power in the hands of a faction. I collect these particulars from "The History of the Troubles and Tryal of Archbishop Laud," and refer to Vicars's “God in the Mount, or a Parliamentarie Chronicle," p. 344, for the Puritanic triumphs.

"My implacable enemy, Mr. Pryn, was picked out as a

man whose malice might be trusted to make the search

upon me, and he did it exactly. The manner of the

search upon me was thus: Mr. Pryn came into the Tower so soon as the gates were open-commanded the Warder to open my door he came into my chamber, and found me in bed-Mr. Pryn, seeing me safe in bed, falls first to my pockets to rifle them-it was expressed in the warrant that he should search my pockets. Did they remember, when they gave this warrant, how odious it was to Parliaments, and some of themselves, to have the pockets of men searched? I rose, got my gown upon my shoulders, and he held me in the search till past nine in the morning (he had come in betimes in the morning in the month of May). He took from me twenty-one bundles of papers, which I had prepared for my defence, &c., a little book or diary, containing all the occurrences of my life, and my book of private devotions; both written with my own hand. Nor could I get him to leave this last; he must needs see what passed between God and me. The last place he rifled was a trunk which stood by my bed-side; in that he found nothing but about forty pounds in money, for my necessary expenses, which he meddled

prelate till he led him to the block. Prynne, to use his own words, for he could be eloquent when moved by passion, "had struck proud Canterbury to the heart; and had undermined all his prelatical designs to advance the bishops' pomp and power+;" Prynne triumphed-but, even this austere Puritan soon grieved over the calamities he had contributed to inflict on the nation; and, with a humane feeling, he once wished, that "when they had cut off bis ears, they had cut off his head." He closed his political existence by becoming an advocate for the Restoration; but, with his accustomed want of judgment, and intemperate zeal, had nearly injured the cause by his premature activity. At the Restoration some difficulty occurred to dispose of "busie Mr. Pryn," as Whitelocke calls him. It is said he wished to be one of the Barons of the Exchequer, but he was made the Keeper of the Records in the Tower, "purposely to employ his head from scribbling against the state and bishops;" where they put him to clear the Augean stable of our national antiquities, and see whether they could weary out his restless vigour. Prynne had, indeed, written till he found no antagonist would reply; and now he rioted in leafy folios, and proved himself to be one of the greatest paperworms which ever crept into old books and mouldy records.

The literary character of Prynne is described by the happy epithet which Anthony Wood applies to him, "Voluminous Prynne." His great characteristic is opposed to that axiom of Hesiod so often quoted, that "half is better than the whole;" a secret which the matter-of-fact-men rarely discover. Wanting judgment, and the tact of good sense, these detailers have no power of selection from their stores, to make one prominent fact represent the hundred minuter ones that may follow it. Voluminously feeble, they imagine expansion is stronger than compression; and know not to generalise, while they only can deal in particulars. Prynne's speeches were just as voluminous as his writings; always deficient in judgment, and abounding in knowledge-he was always author, and ran to the printing-house to distribute the forms, but it was proved he had corrected the proof and the revise. Another time, when he had written a libellous letter to the Archbishop, Noy, the attorney-general, sent for Prynne from his prison, and demanded of him whether the letter was of his own hand-writing. Prynne said he must see and read the letter before he could determine; and when Noy gave it to him, Prynne tore it to pieces, and threw the fragments out of the window, that it might not be brought in evidence against him. Noy had preserved a copy, but that did not avail him, as Prynne well knew that the misdemeanor was in the letter itself; and Noy gave up the prosecution, as there was now no remedy.

not with, and a bundle of some gloves. This bundle he was so careful to open, as that he caused each glove to be looked into; upon this I tendered him one pair of the gloves, which he refusing, I told him he might take them, and fear no bribe, for he had already done me all the mischief he could, and I asked no favour of him; so he thanked me, took the gloves, and bound up my papers and went his way."-Prynne had a good deal of cunning in his character, as well as fortitude. He had all the subterfuges and quirks which, perhaps, form too strong a feature in the character of "an utter Barrister of Lincoln's Inn." His great artifice was secretly printing extracts from the diary of Laud, and placing a copy in the hands of every member of the House, which was a sudden stroke on the Archbishop, when at the bar, that at the moment overcame him. Once when Prynne was printing one of his libels, he attempted to deny being the! ↑ Breviate of the Bishop's intolerable usurpations, p. 35.

wearying others, but never could himself. He once made a speech to the House, to persuade them the king's concessions were sufficient ground for a treaty; it contains a complete narrative of all the transactions between the king, the Houses, and the army, from the beginning of the parliament; it takes up 140 octavo pages, and kept the house so long together, that the debates lasted from Monday morning till Tuesday morning!

Prynne's literary character may be illustrated by his singular book, "Histriomastix,"-where we observe how an author's exuberant learning, like corn heaped in a granary, grows rank and musty, by a want of power to ventilate and stir about the heavy mass.

This paper-worm may first be viewed in his study, as painted by the picturesque Anthony Wood; an artist in the Flemish school ::

"His custom, when he studied, was to put on a long quilted cap, which came an inch over his eyes, serving as an umbrella to defend them from too much light, and seldom eating any dinner, would be every three hours maunching a roll of bread, and now and then refresh his exhausted spirits with ale brought to him by his servant; custom to which Butler alludes,

"Thou that with ale, or viler liquors,
Didst inspire Withers, Prynne, and Vicars,
And teach, though it were in despite
Of nature and their stars to write."

a

the dullest beasts most laborious, and the greatest feeders ;" and Prynne has been reproached with a weak digestion, for "returning things unaltered, which is a symptom of a feeble stomach."

The

When we examine this volume, often alluded to, the birth of the monster seems prodigious and mysterious; it combines two opposite qualities; it is so elaborate in its researches among the thousand authors quoted, that these required years to accumulate, and yet the matter is often temporary, and levelled at fugitive events and particular persons; thus the very formation of this mighty volume seems paradoxical. secret history of this book is as extraordinary as the book itself, and is a remarkable evidence how, in a work of immense erudition, the arts of a wily sage involved himself, and whoever was concerned in his book, in total ruin. The author was pilloried, fined, and imprisoned; his publisher condemned in the penalty of five hundred pounds, and barred for ever from printing and selling books, and the licenser removed and punished. Such was the fatality attending the book of a man whose literary voracity produced one of the most tremendous indigestions, in a malady of writing.

It was on examining Prynne's trial I discovered the secret history of the "Histriomastix." Prynne was seven years in writing this work, and, what is almost incredible, it was near four years passing through the press. During that interval the eternal scribbler was daily gorging himself with The "HISTRIOMASTIX, the Player's Scourge, or voluminous food, and daily fattening his coopedActor's Tragedie," is a ponderous quarto, ascend-up capon. The temporary sedition and libels ing to about 1100 pages; a Puritan's invective were the gradual Mosaic inlayings through this against plays and players, accusing them of every shapeless mass. kind of crime, including libels against church and state*; but it is more remarkable for the incalculable quotations and references foaming over the margins. Prynne scarcely ventures on the most trivial opinion, without calling to his aid whatever had been said in all nations and in all ages; and Cicero and Master Stubbs, Petrarch and Minutius Felix, Isaiah and Froissart's Chronicle, oddly associate in the ravings of erudition. Who, indeed, but the author "who seldom dined," could have quoted perhaps a thousand writers in one volume+? A wit of the times remarked of this Helluo librorum, that "Nature makes ever

Hume, in his History, has given some account of this enormous quarto; to which I refer the reader, vol. vi. chap. lii.

+ Milton admirably characterises Prynne's absurd learning, as well as his character, in his treatise on “The likeliest means to remove hirelings out of the church," as "a late hot querist for tythes, whom ye may know by his wits lying ever beside him in the margin, to be ever beside his wits in the text. A fierce Reformer once; now rankled with a contrary heat."

It appears that the volume of 1100 quarto pages originally consisted of little more than a quire of paper; but Prynne found insuperable difficulties in procuring a licenser, even for this infant Hercules. Dr. Goode deposed that—

"About eight years ago Mr. Prynne brought to him a quire of paper to license, which he refused; and he recollected the circumstance by having held an argument with Prynne on his severe reprehension on the unlawfulness of a man to put on women's apparel, which, the good-humoured doctor asserted was not always unlawful; for suppose Mr. Prynne yourself, as a Christian, was persecuted by pagans, think you not if you disguised yourself in your maid's apparel, you did well? Prynne sternly answered that he thought himself bound rather to yield to death than to do so.

,,

Another licenser, Dr. Harris, deposed, that about seven years ago—

"Mr. Prynne came to him to license a treatise concerning stage-plays; but he would not allow of the same; "-and adds, "So this man did deliver this book when it was young and tender, and