Music, Body, and Desire in Medieval Culture: Hildegard of Bingen to ChaucerRanging chronologically from the twelfth to the fifteenth centuries and thematically from Latin to vernacular literary modes, this book challenges standard assumptions about the musical cultures and philosophies of the European Middle Ages. Engaging a wide range of premodern texts and contexts, from the musicality of sodomy in twelfth-century polyphony to Chaucer s representation of pedagogical violence in the Prioress s Tale, from early Christian writings on the music of the body to the plainchant and poetry of Hildegard of Bingen, the author argues that medieval music was quintessentially a practice of the flesh. The book reveals a sonorous landscape of flesh and bone, pleasure and pain, a medieval world in which erotic desire, sexual practice, torture, flagellation, and even death itself resonated with musical significance and meaning. In its insistence on music as an integral part of the material cultures of the Middle Ages, the book presents a revisionist account of an important aspect of premodern European civilization that will be of compelling interest to historians of literature, music, religion, and sexuality, as well as scholars of cultural, gender, and queer studies. |
From inside the book
Results 1-5 of 92
Page 1
... liturgical harmonies ; it provokes a Scottish poet to describe a song exiting the leprous mouth of Criseyde as " rawk as Ruik , full hiddeous hoir and hace . " 1 Sacred musical pleasures threaten always to lapse into profane musical ...
... liturgical harmonies ; it provokes a Scottish poet to describe a song exiting the leprous mouth of Criseyde as " rawk as Ruik , full hiddeous hoir and hace . " 1 Sacred musical pleasures threaten always to lapse into profane musical ...
Page 3
... liturgical performance , pedagogical transmis- sion , and visual culture throughout the medieval era . A materialist focus upon the musical body will give us new purchase on those social formations in which musical experience figured so ...
... liturgical performance , pedagogical transmis- sion , and visual culture throughout the medieval era . A materialist focus upon the musical body will give us new purchase on those social formations in which musical experience figured so ...
Page 4
... liturgical plainchant , for example , can be comprehensibly separated from its specific social , per- formative , and institutional contexts . Yet the Middle Ages continues to serve practitioners of the new critical musicology as a kind ...
... liturgical plainchant , for example , can be comprehensibly separated from its specific social , per- formative , and institutional contexts . Yet the Middle Ages continues to serve practitioners of the new critical musicology as a kind ...
Page 16
... liturgical transmission as an elaborate pedagogical psychomachia . Even those medieval theoretical texts that propound the most abstract theories of musical form and meaning often betray their authors ' sense of music's corporeal nature ...
... liturgical transmission as an elaborate pedagogical psychomachia . Even those medieval theoretical texts that propound the most abstract theories of musical form and meaning often betray their authors ' sense of music's corporeal nature ...
Page 22
... liturgical pedagogy . I examine both negative and positive images of corporal punishment and other forms of violence in a number of Latin and vernacular writings , including saints ' lives , pedagogical treatises , and a little ...
... liturgical pedagogy . I examine both negative and positive images of corporal punishment and other forms of violence in a number of Latin and vernacular writings , including saints ' lives , pedagogical treatises , and a little ...
Other editions - View all
Music, Body, and Desire in Medieval Culture: Hildegard of Bingen to Chaucer Bruce W. Holsinger No preview available - 2001 |
Common terms and phrases
Alan of Lille allegorical Ambrose Anonymous IV antiphon argues Augustine Augustine's bodily cantus chant chapter Chaucer cithara Clement clergeon conductus Dame death described desire devotional discussion divine early Christian embodied erotic Eurydice exegetical flesh Gertrude Guidonian Hand harmony harp Helfta Hildegard of Bingen homoerotic human body Ibid incarnational instrument language Latin Legatus Leoninus Leoninus's liturgical Lydgate Machaut Magnus liber Mechtild medieval musical melody metaphor Middle Ages musical body musical performance musical sonority musicology mythographer narrative nature nuns organum Orpheus Orpheus's Orphic Ovid's Ovide Ovide moralisé Ovidian pain passage Passion patristic Pecham's pedagogical Philomena praevia plainchant pleasure poem poet poetic polyphony practice praise Prioress's Tale Psalm psaltery quod religious represents resonant rhetorical Scivias sense sexual singing sodomitical somatic song soul sound Speculum Speculum humanae salvationis strings Symphonia Thomas of Cantimpré tion torture tradition treatise twelfth century violence virga Virgin visionary Vita voice women words writings
Popular passages
Page vii - I' mi son un, che quando Amor mi spira, noto, ea quel modo ch'e...