The Stage: Or, Recollections of Actors and Acting from an Experience of Fifty Years; a Series of Dramatic Sketches |
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Page 27
... imagination and will must become intensified passion ere the inspired utterance can create afresh the character that originally sprang to life in the soul of the poet . Who has ever thought of denying the original- 2 28 THE ART OF THE ...
... imagination and will must become intensified passion ere the inspired utterance can create afresh the character that originally sprang to life in the soul of the poet . Who has ever thought of denying the original- 2 28 THE ART OF THE ...
Page 38
... imagination and fancy in the material hues of personal mannerism . In the former case , as before stated , the truth of the effect is lost in the too palpable attempt to create it by an approach to reality ; in the other READING AND ...
... imagination and fancy in the material hues of personal mannerism . In the former case , as before stated , the truth of the effect is lost in the too palpable attempt to create it by an approach to reality ; in the other READING AND ...
Page 39
... imagination fully real- izes all the moving incidents of dramatic action and all the impressive features of living character , native and to the dramatic manner born . 40 SHAKESPEARE IN THE STUDY . Such effects can only.
... imagination fully real- izes all the moving incidents of dramatic action and all the impressive features of living character , native and to the dramatic manner born . 40 SHAKESPEARE IN THE STUDY . Such effects can only.
Page 40
... imagination to be moulded by the magic power of the Poet , accepting as realities the ideas which assume life and shape in passing through the subtle alembic of Shakespeare's mind . Yet when we compare the fleeting effects of the stage ...
... imagination to be moulded by the magic power of the Poet , accepting as realities the ideas which assume life and shape in passing through the subtle alembic of Shakespeare's mind . Yet when we compare the fleeting effects of the stage ...
Page 63
... imagination , he could not fail to grasp the dramatic sceptre , and wield it with commanding effect among the subjects of the mimic scene . At the same time that the wits , literati , and scientists of the age were his admirers at the ...
... imagination , he could not fail to grasp the dramatic sceptre , and wield it with commanding effect among the subjects of the mimic scene . At the same time that the wits , literati , and scientists of the age were his admirers at the ...
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Common terms and phrases
acting action actor admiration appeared APPENDIX applause Arch Street Theatre audience Booth Buckstone called character Charles Charles Kean Charles Kemble Chestnut Street Theatre comedy curtain David Garrick DeCamp dramatic Edmund Kean effect elocution engagement excellence exhibited expression feeling Forrest Garrick gave genius gentleman give glottis habit Hamlet hand heard heart honor humor imagination imitation impression John Kemble John Philip Kemble Kean Kean's Kemble Kemble's King lady language laugh laughter Lear London Lord Macbeth Macready MACREADY'S manager manner MARK ANTONY marked matter ment mimic mind Miss Murdoch Nature never night observed occasion passion peculiar performance person play players poet profession professional racter recitation rehearsal replied Richard scene Shakespeare Shylock soul speaking speech spirit stage story style taste theatrical thought tion tones tragedian tragedy Tremont Theatre uncon utterance vocal voice words young
Popular passages
Page 37 - Be not too tame neither, but let your own discretion be your tutor: suit the action to the word, the word to the action; with this special observance, that you o'erstep not the modesty of nature...
Page 325 - This supernatural soliciting Cannot be ill ; cannot be good : — If ill, Why hath it given me earnest of success, Commencing in a truth ? I am thane of Cawdor : If good, why do I yield to that suggestion, Whose horrid image doth unfix my hair, And make my seated heart knock at my ribs, Against the use of nature...
Page 131 - Stain my man's cheeks !— No, you unnatural hags, I will have such revenges on you both, That all the world shall — I will do such things — What they are yet I know not ; but they shall be The terrors of the earth.
Page 352 - But here's a parchment with the seal of Caesar ; I found it in his closet ; 'tis his will : Let but the Commons hear this testament, (Which, pardon me, I do not mean to read,) And they would go and kiss dead Caesar's wounds, And dip their napkins in his sacred blood...
Page 133 - Sky, mountains, river, winds, lake, lightnings ! ye ! With night, and clouds, and thunder, and a soul To make these felt and feeling, well may be Things that have made me watchful; the far roll Of your departing voices, is the knoll Of what in me is sleepless, — if I rest. But where of ye, oh tempests ! is the goal ? Are ye like those within the human breast ? Or do ye find, at length, like eagles, some high nest ? XCVII.
Page 131 - If it be you that stir these daughters' hearts Against their father, fool me not so much To bear it tamely ; touch me with noble anger ! O, let not women's weapons, water-drops, Stain my man's cheeks! — No, you unnatural hags, I will have such revenges on you both, That all the world...
Page 66 - As a wit, if not first, in the very first line: Yet, with talents like these, and an excellent heart, The man had his failings, a dupe to his art. Like an ill-judging beauty, his colours he spread, And beplaster'd with rouge his own natural red. On the stage he was natural, simple, affecting; Twas only that when he was off he was acting.
Page 353 - And dip their napkins in his sacred blood, Yea, beg a hair of him for memory, And, dying, mention it within their wills, Bequeathing it as a rich legacy Unto their issue.
Page 126 - O my love! my wife! Death, that hath sucked the honey of thy breath, Hath had no power yet upon thy beauty. Thou art not conquered ; beauty's ensign yet Is crimson in thy lips and in thy cheeks, And death's pale flag is not advanced there.
Page 36 - Nor do not saw the air too much with your hand, thus ; but use all gently : for in the very torrent, tempest, and (as I may say) whirlwind of your passion, you must acquire and beget a temperance that may give it smoothness. Oh, it offends me to the soul to hear a robustious periwig-pated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings...