Elements of Criticism, Volume 1J. Thompson, 1819 - Aesthetics |
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Page xii
... expression be sufficiently clear to others ;. in that particular , he cannot avoid the taking on him to judge for the reader , who can much better judge for himself . JUNE , 1763 . CONTENTS . Introduction , Chap . VOLUME I. Page . xii.
... expression be sufficiently clear to others ;. in that particular , he cannot avoid the taking on him to judge for the reader , who can much better judge for himself . JUNE , 1763 . CONTENTS . Introduction , Chap . VOLUME I. Page . xii.
Page 104
... expressing the more delicate feelings ; and for that reason , no known tongue hi- therto has reached that perfection . We must there- fore rest satisfied with an explanation of the more obvious modifications . In forming a comparison ...
... expressing the more delicate feelings ; and for that reason , no known tongue hi- therto has reached that perfection . We must there- fore rest satisfied with an explanation of the more obvious modifications . In forming a comparison ...
Page 116
... expressions common in poetry , a sweet distress , a pleasant pain . It was necessary to describe with some accuracy , in what manner similar and dissimilar emotions co - exist in the mind , in order to explain their dif- ferent effects ...
... expressions common in poetry , a sweet distress , a pleasant pain . It was necessary to describe with some accuracy , in what manner similar and dissimilar emotions co - exist in the mind , in order to explain their dif- ferent effects ...
Page 125
... expressing a disagreeable passion , or describing a disagreeable object : for here the emotions raised by the sense and by the sound , are not only dissimilar but opposite ; and such emotions forced into union produce always an ...
... expressing a disagreeable passion , or describing a disagreeable object : for here the emotions raised by the sense and by the sound , are not only dissimilar but opposite ; and such emotions forced into union produce always an ...
Page 126
... expressing his sentiments in a song , cannot be agreeable to any audience of taste . For a different reason , music is improper for ac- companying pleasant emotions of the more impor- : tant kind ; because these totally engross the mind ...
... expressing his sentiments in a song , cannot be agreeable to any audience of taste . For a different reason , music is improper for ac- companying pleasant emotions of the more impor- : tant kind ; because these totally engross the mind ...
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Common terms and phrases
action Æneid agreeable appear arts beauty burlesque Cæsar chapter character circumstances colour congruity connexion daugh degree desire dignity disagreeable distress doth effect elevation Eloisa to Abelard emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification grief habit hath Hence Henry IV Hudibras ideal presence ideas impression impropriety Jane Shore ject kind less manner means ment mind motion Mourning Bride neral never nexion novelty objects of sight observation occasion opposite Othello painful passion Paradise Lost perceive person pity pleasant emotion pleasure present produceth propensity proper proportion propriety qualities racter reason relation relish remarkable resemblance respect Richard II ridicule risible scarce selfish sense sensible sentiments Shakspeare singular sion slight soliloquy spect spectator sublime surprise taste termed thee things thou thought tion tone tremely tural uniformity variety words writers
Popular passages
Page 186 - Why, man, he doth bestride the narrow world, Like a Colossus ; and we petty men Walk under his huge legs, and peep about To find ourselves dishonourable graves.
Page 239 - O ! who can hold a fire in his hand By thinking on the frosty Caucasus? Or cloy the hungry edge of appetite By bare imagination of a feast? Or wallow naked in December snow By thinking on fantastic summer's heat? O no, the apprehension of the good Gives but the greater feeling to the worse : Fell sorrow's tooth doth never rankle more Than when it bites, but lanceth not the sore.
Page 79 - My story being done, She gave me for my pains a world of sighs : She swore, — in faith, 'twas strange, 'twas passing strange ; 'Twas pitiful, 'twas wondrous pitiful: She wish'd she had not heard it ; yet she wish'd That heaven had made her such a man : she thank'd me; And bade me, if I had a friend that lov'd her, I should but teach him how to tell my story, And that would woo her.
Page 74 - Twas on a summer's evening, in his tent, That day he overcame the Nervii: — Look, in this place, ran Cassius* dagger through: See what a rent the envious Casca made: Through this the well-beloved Brutus stabb'd And, as he pluck'd his cursed steel away, Mark how the blood of Caesar...
Page 411 - Grief fills the room up of my absent child, Lies in his bed, walks up and down with me, Puts on his pretty looks, repeats his words, Remembers me of all his gracious parts, Stuffs out his vacant garments with his form; Then, have I reason to be fond of grief ? Fare you well: had you such a loss as I, I could give better comfort than you do.
Page 405 - gainst self-slaughter! O God! O God! How weary, stale, flat, and unprofitable Seem to me all the uses of this world! Fie on't! O fie! 'tis an unweeded garden, That grows to seed; things rank and gross in nature Possess it merely.
Page 406 - Must I remember? why, she would hang on him, As if increase of appetite had grown By what it fed on; and yet, within a month, Let me not think on't: Frailty, thy name is woman!
Page 236 - It must not be : if Cassio do remain, ' He hath a daily beauty in his life, That makes me ugly ; and, besides, the Moor May unfold me to him ; there stand I in much peril : No, he must die : — But so, I hear him coming.
Page 400 - fair light, And thou enlighten'd earth, so fresh and gay, Ye hills, and dales, ye rivers, woods, and plains, And ye that live and move, fair creatures, tell, Tell, if ye saw, how came I thus, how here?
Page 401 - That for some vicious mole of nature in them, As, in their birth— wherein they are not guilty, Since nature cannot choose his origin— By the o'ergrowth of some complexion, Oft breaking down the pales and forts of reason...