Byron and ShakespeareThis volume is a comprehensive collection of critical essays on The Taming of the Shrew, and includes extensive discussions of the play's various printed versions and its theatrical productions. Aspinall has included only those essays that offer the most influential and controversial arguments surrounding the play. The issues discussed include gender, authority, female autonomy and unruliness, courtship and marriage, language and speech, and performance and theatricality. |
Contents
INTRODUCTION I | 1 |
SONNETS AND SERAPHS | 24 |
A REGENCY HAMLET | 73 |
FALSTAFF AND COMEDY | 117 |
RICHARD III AND MACBETH | 151 |
TIMON AND SHYLOCK | 188 |
ANTONY AND CLEOPATRAS OTHELLO | 227 |
TEMPESTS LEAR PROSPERO | 262 |
HENRY VIII | 317 |
THE GOLDEN THREAD | 333 |
THE SEPARATION CONTROVERSY | 351 |
367 | |
378 | |
Other editions - View all
Common terms and phrases
action Antony appears beauty become Cain called cause Childe Harold Cleopatra comes corresponds dark death Don Juan drama dream earth existence experience fear feel felt given Greece Hamlet heart Henry Hobhouse honour human imagination Italy Journal kind King Lady Lady Melbourne least leaving less letter light lines living Lord Byron Macbeth Manfred March marriage means mind Moore moral Murray mystery nature never once Parry passage passion perhaps period phrase play poem poet poetic poetry political present quoted reason records reference regarded relation remained Richard seems seen sense sexual Shakespeare's Shakespearian society Sonnets soul spirit strong suggests symbol tells Tempest thee things thinking thou thought Timon told tone true truth turn VIII whole writes written wrote young youth