The Art of Vergil: Image and Symbol in the AeneidIn a discussion in which a comparison of Vergil and Homer becomes the pivot of criticism, the author analyzes basic themes, outlines the Vergilian structure, and indicates the way in which the characters and the events concerning them are related to the whole poem. The author shows how Vergil enlarged upon Homeric similes until they became transparent signs for inner events. He also examines the architecturally structured sequence of mood and argues that, since Vergil, mood has become to poetry what light is to painting. |
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Page 13
CHAPTER I BASIC THEMES THE FIRST SEQUENCE OF SCENES ( 1.8-296 ) AS SYMBOLIC ANTICIPATION OF THE WHOLE POEM The first climactic point in the Aeneid — the event that sets the tone , arousing and preparing the reader's mind for the ...
CHAPTER I BASIC THEMES THE FIRST SEQUENCE OF SCENES ( 1.8-296 ) AS SYMBOLIC ANTICIPATION OF THE WHOLE POEM The first climactic point in the Aeneid — the event that sets the tone , arousing and preparing the reader's mind for the ...
Page 24
Each is justified and necessary , but only together do they make possible an understanding of the whole . Here , then , is our result : the initial sequences of scenes in the Aeneid contain in essence all forces which constitute the ...
Each is justified and necessary , but only together do they make possible an understanding of the whole . Here , then , is our result : the initial sequences of scenes in the Aeneid contain in essence all forces which constitute the ...
Page 81
Just as in a Greek temple where the proportion and form determining the whole are repeated in the sections , or in a symphony where the parts mirror the whole , the Aeneid is in part and whole subject to the same principle of form .
Just as in a Greek temple where the proportion and form determining the whole are repeated in the sections , or in a symphony where the parts mirror the whole , the Aeneid is in part and whole subject to the same principle of form .
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Achilles action Aeneas Aeneid already appears arms attitude basic battle beauty becomes beginning character comes compared completely concept connected contrast course dark death decision demonic described destiny Dido Dido's divine effect epic example expression eyes face fact fall fate feeling fight figure final followed force gesture give glory gods grandeur Greek grief hand heart Hector Heinze hero Homer human idea Iliad important inner interpretation Italian Italy Juno Jupiter Latinus less light longing meaning mood motif movement moving nature passion poem poet poetic poetry present proem queen reason refers represents result rises Roman says scene sense sequence Servius shown shows simile situation sorrow soul speech storm story strength suffering symbol thought tion tragedy tragic Trojan true Turnus Venus Vergil verses waves whole winds
Bibliographic information
| Title | The Art of Vergil: Image and Symbol in the Aeneid Volume 117 of Ann Arbor paperbacks University of Michigan classics |
| Author | Viktor Pöschl |
| Edition | illustrated, reprint |
| Publisher | University of Michigan Press, 1970 |
| Original from | the University of California |
| Digitized | 27 Feb 2008 |
| ISBN | 0472061704, 9780472061709 |
| Length | 216 pages |
| Export Citation | BiBTeX EndNote RefMan |