The Art of Vergil: Image and Symbol in the AeneidIn a discussion in which a comparison of Vergil and Homer becomes the pivot of criticism, the author analyzes basic themes, outlines the Vergilian structure, and indicates the way in which the characters and the events concerning them are related to the whole poem. The author shows how Vergil enlarged upon Homeric similes until they became transparent signs for inner events. He also examines the architecturally structured sequence of mood and argues that, since Vergil, mood has become to poetry what light is to painting. |
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Page 26
The idea of giving the whole poem a higher meaning at the very beginning of the divine father's speech comes from the Odyssey ... Although Vergil in Aeneas ' first two speeches ( 1.94 and I.198 ) consciously emphasizes his debt to Homer ...
The idea of giving the whole poem a higher meaning at the very beginning of the divine father's speech comes from the Odyssey ... Although Vergil in Aeneas ' first two speeches ( 1.94 and I.198 ) consciously emphasizes his debt to Homer ...
Page 159
These speeches also rise in the middle and drop at the end.5 The individual waves are united in one powerful movement of the ... It should not be assumed that every scene and every speech must fit a scheme in the stipulated basic form .
These speeches also rise in the middle and drop at the end.5 The individual waves are united in one powerful movement of the ... It should not be assumed that every scene and every speech must fit a scheme in the stipulated basic form .
Page 209
The climax of Venus ' speech is in the exact middle : I.241 : quem das finem , rex magne , laborum ? So is the climax of Jupiter's speech , the founding of Rome , I.275-277 . 5. Venus ' speech ends with the happy fate of Antenor to whom ...
The climax of Venus ' speech is in the exact middle : I.241 : quem das finem , rex magne , laborum ? So is the climax of Jupiter's speech , the founding of Rome , I.275-277 . 5. Venus ' speech ends with the happy fate of Antenor to whom ...
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Common terms and phrases
Achilles action Aeneas Aeneid already appears arms attitude basic battle beauty becomes beginning character comes compared completely concept connected contrast course dark death decision demonic described destiny Dido Dido's divine effect epic example expression eyes face fact fall fate feeling fight figure final followed force gesture give glory gods grandeur Greek grief hand heart Hector Heinze hero Homer human idea Iliad important inner interpretation Italian Italy Juno Jupiter Latinus less light longing meaning mood motif movement moving nature passion poem poet poetic poetry present proem queen reason refers represents result rises Roman says scene sense sequence Servius shown shows simile situation sorrow soul speech storm story strength suffering symbol thought tion tragedy tragic Trojan true Turnus Venus Vergil verses waves whole winds
Bibliographic information
| Title | The Art of Vergil: Image and Symbol in the Aeneid Volume 117 of Ann Arbor paperbacks University of Michigan classics |
| Author | Viktor Pöschl |
| Edition | illustrated, reprint |
| Publisher | University of Michigan Press, 1970 |
| Original from | the University of California |
| Digitized | 27 Feb 2008 |
| ISBN | 0472061704, 9780472061709 |
| Length | 216 pages |
| Export Citation | BiBTeX EndNote RefMan |