The Art of Vergil: Image and Symbol in the AeneidIn a discussion in which a comparison of Vergil and Homer becomes the pivot of criticism, the author analyzes basic themes, outlines the Vergilian structure, and indicates the way in which the characters and the events concerning them are related to the whole poem. The author shows how Vergil enlarged upon Homeric similes until they became transparent signs for inner events. He also examines the architecturally structured sequence of mood and argues that, since Vergil, mood has become to poetry what light is to painting. |
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Page 100
The horrors of war had to be shown ; the extent of the suffering and the power of the passions in this dimension of life had to be shown also so that the strength and glory of Rome might shine all the more brightly in the juxtaposition ...
The horrors of war had to be shown ; the extent of the suffering and the power of the passions in this dimension of life had to be shown also so that the strength and glory of Rome might shine all the more brightly in the juxtaposition ...
Page 140
It has been shown that the wounded deer ( IV.68 ff . ) , the mortally injured lion ( XII.4 ff . ) , and the Alpine oak ( IV.441 ff . ) are symbols of destiny as well as similes of situations . It could likewise be shown that most ...
It has been shown that the wounded deer ( IV.68 ff . ) , the mortally injured lion ( XII.4 ff . ) , and the Alpine oak ( IV.441 ff . ) are symbols of destiny as well as similes of situations . It could likewise be shown that most ...
Page 209
It may be found in Livy , as Klingner has shown ( Die Antike , I ( 1925 ) , 95 f . ) . CHAPTER III : 2. FORMS OF SEQUENCES OF MOOD . 1. " In Vergil's world one cannot escape the ideas of sea , tide , waves . " Stadler . 2.
It may be found in Livy , as Klingner has shown ( Die Antike , I ( 1925 ) , 95 f . ) . CHAPTER III : 2. FORMS OF SEQUENCES OF MOOD . 1. " In Vergil's world one cannot escape the ideas of sea , tide , waves . " Stadler . 2.
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Common terms and phrases
Achilles action Aeneas Aeneid already appears arms attitude basic battle beauty becomes beginning character comes compared completely concept connected contrast course dark death decision demonic described destiny Dido Dido's divine effect epic example expression eyes face fact fall fate feeling fight figure final followed force gesture give glory gods grandeur Greek grief hand heart Hector Heinze hero Homer human idea Iliad important inner interpretation Italian Italy Juno Jupiter Latinus less light longing meaning mood motif movement moving nature passion poem poet poetic poetry present proem queen reason refers represents result rises Roman says scene sense sequence Servius shown shows simile situation sorrow soul speech storm story strength suffering symbol thought tion tragedy tragic Trojan true Turnus Venus Vergil verses waves whole winds
Bibliographic information
| Title | The Art of Vergil: Image and Symbol in the Aeneid Volume 117 of Ann Arbor paperbacks University of Michigan classics |
| Author | Viktor Pöschl |
| Edition | illustrated, reprint |
| Publisher | University of Michigan Press, 1970 |
| Original from | the University of California |
| Digitized | 27 Feb 2008 |
| ISBN | 0472061704, 9780472061709 |
| Length | 216 pages |
| Export Citation | BiBTeX EndNote RefMan |