The Art of Vergil: Image and Symbol in the AeneidIn a discussion in which a comparison of Vergil and Homer becomes the pivot of criticism, the author analyzes basic themes, outlines the Vergilian structure, and indicates the way in which the characters and the events concerning them are related to the whole poem. The author shows how Vergil enlarged upon Homeric similes until they became transparent signs for inner events. He also examines the architecturally structured sequence of mood and argues that, since Vergil, mood has become to poetry what light is to painting. |
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Page 24
... AND " ILIAD " HALVES OF THE AENEID In the two parts of the Aeneid , the Odyssey and the Iliad are fused to create a higher unity . As early in the work as the proem , a reference to the recreation of the Odyssey 24 THE ART OF VERGIL.
... AND " ILIAD " HALVES OF THE AENEID In the two parts of the Aeneid , the Odyssey and the Iliad are fused to create a higher unity . As early in the work as the proem , a reference to the recreation of the Odyssey 24 THE ART OF VERGIL.
Page 38
The proem rising from " Troiae ab oris " in the first verse to " altae moenia Romae " in the last verse has clearly emphasized the beginning and the end of the way . Rome is the last word of the proem because it is the inner goal of the ...
The proem rising from " Troiae ab oris " in the first verse to " altae moenia Romae " in the last verse has clearly emphasized the beginning and the end of the way . Rome is the last word of the proem because it is the inner goal of the ...
Page 104
Then a general fight develops , and the aristeia is interrupted by the Ascanius episode , which was obviously inserted after the Calliope proem and the plan of which it is a part had already been designed , for this proem announces ...
Then a general fight develops , and the aristeia is interrupted by the Ascanius episode , which was obviously inserted after the Calliope proem and the plan of which it is a part had already been designed , for this proem announces ...
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Common terms and phrases
Achilles action Aeneas Aeneid already appears arms attitude basic battle beauty becomes beginning character comes compared completely concept connected contrast course dark death decision demonic described destiny Dido Dido's divine effect epic example expression eyes face fact fall fate feeling fight figure final followed force gesture give glory gods grandeur Greek grief hand heart Hector Heinze hero Homer human idea Iliad important inner interpretation Italian Italy Juno Jupiter Latinus less light longing meaning mood motif movement moving nature passion poem poet poetic poetry present proem queen reason refers represents result rises Roman says scene sense sequence Servius shown shows simile situation sorrow soul speech storm story strength suffering symbol thought tion tragedy tragic Trojan true Turnus Venus Vergil verses waves whole winds
Bibliographic information
| Title | The Art of Vergil: Image and Symbol in the Aeneid Volume 117 of Ann Arbor paperbacks University of Michigan classics |
| Author | Viktor Pöschl |
| Edition | illustrated, reprint |
| Publisher | University of Michigan Press, 1970 |
| Original from | the University of California |
| Digitized | 27 Feb 2008 |
| ISBN | 0472061704, 9780472061709 |
| Length | 216 pages |
| Export Citation | BiBTeX EndNote RefMan |