The Art of Vergil: Image and Symbol in the AeneidIn a discussion in which a comparison of Vergil and Homer becomes the pivot of criticism, the author analyzes basic themes, outlines the Vergilian structure, and indicates the way in which the characters and the events concerning them are related to the whole poem. The author shows how Vergil enlarged upon Homeric similes until they became transparent signs for inner events. He also examines the architecturally structured sequence of mood and argues that, since Vergil, mood has become to poetry what light is to painting. |
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Page 3
At the same time he is the first representative of an important new development ; for with him the internalization of poetry , a process which characterizes the long Greek development , took a considerable step forward .
At the same time he is the first representative of an important new development ; for with him the internalization of poetry , a process which characterizes the long Greek development , took a considerable step forward .
Page 57
That poetic and philosophic perception of fate can never completely coincide was persuasively pointed out by Grillparzer in his essay on fate - and this should be remembered . These concepts are fundamentally different forms of the ...
That poetic and philosophic perception of fate can never completely coincide was persuasively pointed out by Grillparzer in his essay on fate - and this should be remembered . These concepts are fundamentally different forms of the ...
Page 73
Vergil truly believed in divine power and to this earnest and pious poet the myth was more than a poetic tale — it was a symbol of his religion . As Hugo von Hofmannsthal says in his " Conversation About Poems , " which admits so much ...
Vergil truly believed in divine power and to this earnest and pious poet the myth was more than a poetic tale — it was a symbol of his religion . As Hugo von Hofmannsthal says in his " Conversation About Poems , " which admits so much ...
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Common terms and phrases
Achilles action Aeneas Aeneid already appears arms attitude basic battle beauty becomes beginning character comes compared completely concept connected contrast course dark death decision demonic described destiny Dido Dido's divine effect epic example expression eyes face fact fall fate feeling fight figure final followed force gesture give glory gods grandeur Greek grief hand heart Hector Heinze hero Homer human idea Iliad important inner interpretation Italian Italy Juno Jupiter Latinus less light longing meaning mood motif movement moving nature passion poem poet poetic poetry present proem queen reason refers represents result rises Roman says scene sense sequence Servius shown shows simile situation sorrow soul speech storm story strength suffering symbol thought tion tragedy tragic Trojan true Turnus Venus Vergil verses waves whole winds
Bibliographic information
| Title | The Art of Vergil: Image and Symbol in the Aeneid Volume 117 of Ann Arbor paperbacks University of Michigan classics |
| Author | Viktor Pöschl |
| Edition | illustrated, reprint |
| Publisher | University of Michigan Press, 1970 |
| Original from | the University of California |
| Digitized | 27 Feb 2008 |
| ISBN | 0472061704, 9780472061709 |
| Length | 216 pages |
| Export Citation | BiBTeX EndNote RefMan |