The Art of Vergil: Image and Symbol in the AeneidIn a discussion in which a comparison of Vergil and Homer becomes the pivot of criticism, the author analyzes basic themes, outlines the Vergilian structure, and indicates the way in which the characters and the events concerning them are related to the whole poem. The author shows how Vergil enlarged upon Homeric similes until they became transparent signs for inner events. He also examines the architecturally structured sequence of mood and argues that, since Vergil, mood has become to poetry what light is to painting. |
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Page 14
It is the prelude of the work , announcing the basic motifs after the manner of an overture.2 Let us examine it . As for the motif of Juno's hatred , the poet , after the proem , expounds upon her counterplan for Carthage's control of ...
It is the prelude of the work , announcing the basic motifs after the manner of an overture.2 Let us examine it . As for the motif of Juno's hatred , the poet , after the proem , expounds upon her counterplan for Carthage's control of ...
Page 30
Heinze , the first to inquire into its meaning , concluded that the motif was not fully utilized owing to a “ lack of clarity in the treatment . " 22 There is , however , no lack of clarity and the poet is not , as Heinze suggested ...
Heinze , the first to inquire into its meaning , concluded that the motif was not fully utilized owing to a “ lack of clarity in the treatment . " 22 There is , however , no lack of clarity and the poet is not , as Heinze suggested ...
Page 200
The argument that a motif has originated where it fits best , is erroneous . Again and again Vergil with his poetic tact does more with a motif than the poet whom he imitates . This error is connected with the misunderstanding of the ...
The argument that a motif has originated where it fits best , is erroneous . Again and again Vergil with his poetic tact does more with a motif than the poet whom he imitates . This error is connected with the misunderstanding of the ...
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Common terms and phrases
Achilles action Aeneas Aeneid already appears arms attitude basic battle beauty becomes beginning character comes compared completely concept connected contrast course dark death decision demonic described destiny Dido Dido's divine effect epic example expression eyes face fact fall fate feeling fight figure final followed force gesture give glory gods grandeur Greek grief hand heart Hector Heinze hero Homer human idea Iliad important inner interpretation Italian Italy Juno Jupiter Latinus less light longing meaning mood motif movement moving nature passion poem poet poetic poetry present proem queen reason refers represents result rises Roman says scene sense sequence Servius shown shows simile situation sorrow soul speech storm story strength suffering symbol thought tion tragedy tragic Trojan true Turnus Venus Vergil verses waves whole winds
Bibliographic information
| Title | The Art of Vergil: Image and Symbol in the Aeneid Volume 117 of Ann Arbor paperbacks University of Michigan classics |
| Author | Viktor Pöschl |
| Edition | illustrated, reprint |
| Publisher | University of Michigan Press, 1970 |
| Original from | the University of California |
| Digitized | 27 Feb 2008 |
| ISBN | 0472061704, 9780472061709 |
| Length | 216 pages |
| Export Citation | BiBTeX EndNote RefMan |