The Art of Vergil: Image and Symbol in the AeneidIn a discussion in which a comparison of Vergil and Homer becomes the pivot of criticism, the author analyzes basic themes, outlines the Vergilian structure, and indicates the way in which the characters and the events concerning them are related to the whole poem. The author shows how Vergil enlarged upon Homeric similes until they became transparent signs for inner events. He also examines the architecturally structured sequence of mood and argues that, since Vergil, mood has become to poetry what light is to painting. |
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Page 15
They evoke in my mind pertinent and similar as well as foreign ideas . ... And in Maximen und Reflexionen : 3a “ The symbol transforms the visible into an idea and the idea into an image in such manner that the idea in the image stays ...
They evoke in my mind pertinent and similar as well as foreign ideas . ... And in Maximen und Reflexionen : 3a “ The symbol transforms the visible into an idea and the idea into an image in such manner that the idea in the image stays ...
Page 21
The poet's mind , then , is not intent upon Cato nor on any historical individual , but definitely on the idea that the individual personifies — in this case , the idea of the statesman whose authority dominates the crowd .
The poet's mind , then , is not intent upon Cato nor on any historical individual , but definitely on the idea that the individual personifies — in this case , the idea of the statesman whose authority dominates the crowd .
Page 23
He thus created a new synthesis the Augustan idea of Rome . Even where it involves natural phenomena , the myth of ... There are three levels of reality : ( 1 ) Cosmos , the sphere of divine order , the world of ideas and BASIC THEMES 23.
He thus created a new synthesis the Augustan idea of Rome . Even where it involves natural phenomena , the myth of ... There are three levels of reality : ( 1 ) Cosmos , the sphere of divine order , the world of ideas and BASIC THEMES 23.
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Common terms and phrases
Achilles action Aeneas Aeneid already appears arms attitude basic battle beauty becomes beginning character comes compared completely concept connected contrast course dark death decision demonic described destiny Dido Dido's divine effect epic example expression eyes face fact fall fate feeling fight figure final followed force gesture give glory gods grandeur Greek grief hand heart Hector Heinze hero Homer human idea Iliad important inner interpretation Italian Italy Juno Jupiter Latinus less light longing meaning mood motif movement moving nature passion poem poet poetic poetry present proem queen reason refers represents result rises Roman says scene sense sequence Servius shown shows simile situation sorrow soul speech storm story strength suffering symbol thought tion tragedy tragic Trojan true Turnus Venus Vergil verses waves whole winds
Bibliographic information
| Title | The Art of Vergil: Image and Symbol in the Aeneid Volume 117 of Ann Arbor paperbacks University of Michigan classics |
| Author | Viktor Pöschl |
| Edition | illustrated, reprint |
| Publisher | University of Michigan Press, 1970 |
| Original from | the University of California |
| Digitized | 27 Feb 2008 |
| ISBN | 0472061704, 9780472061709 |
| Length | 216 pages |
| Export Citation | BiBTeX EndNote RefMan |