The Art of Vergil: Image and Symbol in the AeneidIn a discussion in which a comparison of Vergil and Homer becomes the pivot of criticism, the author analyzes basic themes, outlines the Vergilian structure, and indicates the way in which the characters and the events concerning them are related to the whole poem. The author shows how Vergil enlarged upon Homeric similes until they became transparent signs for inner events. He also examines the architecturally structured sequence of mood and argues that, since Vergil, mood has become to poetry what light is to painting. |
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Page 93
According to the ancient idea that beauty is the flower of arete , the youthful figures singled out by the poet's eye for special favor ... says that Vergil characterizes Turnus as an enemy of the State rather than as a tragic figure .
According to the ancient idea that beauty is the flower of arete , the youthful figures singled out by the poet's eye for special favor ... says that Vergil characterizes Turnus as an enemy of the State rather than as a tragic figure .
Page 95
And this distinguishes Turnus from the other figures in the poem and from all Homeric models . ... There is an intimate connection between the figure of Turnus and the " furor impius ” of the Jupiter speech as it is overcome by the ...
And this distinguishes Turnus from the other figures in the poem and from all Homeric models . ... There is an intimate connection between the figure of Turnus and the " furor impius ” of the Jupiter speech as it is overcome by the ...
Page 163
The catalogue of the bringers of misery in the antechamber of Orcus ends with the figure of Discordia surpassing all others . This emphasis on Discordia reflects the fact that she is by far the most dangerous power in the realm of ...
The catalogue of the bringers of misery in the antechamber of Orcus ends with the figure of Discordia surpassing all others . This emphasis on Discordia reflects the fact that she is by far the most dangerous power in the realm of ...
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Common terms and phrases
Achilles action Aeneas Aeneid already appears arms attitude basic battle beauty becomes beginning character comes compared completely concept connected contrast course dark death decision demonic described destiny Dido Dido's divine effect epic example expression eyes face fact fall fate feeling fight figure final followed force gesture give glory gods grandeur Greek grief hand heart Hector Heinze hero Homer human idea Iliad important inner interpretation Italian Italy Juno Jupiter Latinus less light longing meaning mood motif movement moving nature passion poem poet poetic poetry present proem queen reason refers represents result rises Roman says scene sense sequence Servius shown shows simile situation sorrow soul speech storm story strength suffering symbol thought tion tragedy tragic Trojan true Turnus Venus Vergil verses waves whole winds
Bibliographic information
| Title | The Art of Vergil: Image and Symbol in the Aeneid Volume 117 of Ann Arbor paperbacks University of Michigan classics |
| Author | Viktor Pöschl |
| Edition | illustrated, reprint |
| Publisher | University of Michigan Press, 1970 |
| Original from | the University of California |
| Digitized | 27 Feb 2008 |
| ISBN | 0472061704, 9780472061709 |
| Length | 216 pages |
| Export Citation | BiBTeX EndNote RefMan |