The Art of Vergil: Image and Symbol in the AeneidIn a discussion in which a comparison of Vergil and Homer becomes the pivot of criticism, the author analyzes basic themes, outlines the Vergilian structure, and indicates the way in which the characters and the events concerning them are related to the whole poem. The author shows how Vergil enlarged upon Homeric similes until they became transparent signs for inner events. He also examines the architecturally structured sequence of mood and argues that, since Vergil, mood has become to poetry what light is to painting. |
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Page 39
It is true that the Odyssean figures are subject to some secret longing which brings the soul to light , for when the soul's light falls on the senses , the present fades . In the Odyssey we see a shift in emphasis on the importance of ...
It is true that the Odyssean figures are subject to some secret longing which brings the soul to light , for when the soul's light falls on the senses , the present fades . In the Odyssey we see a shift in emphasis on the importance of ...
Page 87
Vergil is thus enabled to let us feel both the depth of her love and the vileness of her infamy and inner fall . For instance , though her wish to conceive a child of Aeneas ' before parting may be touching , it is still undignified .
Vergil is thus enabled to let us feel both the depth of her love and the vileness of her infamy and inner fall . For instance , though her wish to conceive a child of Aeneas ' before parting may be touching , it is still undignified .
Page 135
When Turnus falls , the Rutulians rise with a single cry of grief echoed in all nature in much the same way that the whole of Carthage resounds with lamentation upon the death of Dido . The Trojans do not rejoice at Turnus ' death and ...
When Turnus falls , the Rutulians rise with a single cry of grief echoed in all nature in much the same way that the whole of Carthage resounds with lamentation upon the death of Dido . The Trojans do not rejoice at Turnus ' death and ...
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Common terms and phrases
Achilles action Aeneas Aeneid already appears arms attitude basic battle beauty becomes beginning character comes compared completely concept connected contrast course dark death decision demonic described destiny Dido Dido's divine effect epic example expression eyes face fact fall fate feeling fight figure final followed force gesture give glory gods grandeur Greek grief hand heart Hector Heinze hero Homer human idea Iliad important inner interpretation Italian Italy Juno Jupiter Latinus less light longing meaning mood motif movement moving nature passion poem poet poetic poetry present proem queen reason refers represents result rises Roman says scene sense sequence Servius shown shows simile situation sorrow soul speech storm story strength suffering symbol thought tion tragedy tragic Trojan true Turnus Venus Vergil verses waves whole winds
Bibliographic information
| Title | The Art of Vergil: Image and Symbol in the Aeneid Volume 117 of Ann Arbor paperbacks University of Michigan classics |
| Author | Viktor Pöschl |
| Edition | illustrated, reprint |
| Publisher | University of Michigan Press, 1970 |
| Original from | the University of California |
| Digitized | 27 Feb 2008 |
| ISBN | 0472061704, 9780472061709 |
| Length | 216 pages |
| Export Citation | BiBTeX EndNote RefMan |