The Art of Vergil: Image and Symbol in the AeneidIn a discussion in which a comparison of Vergil and Homer becomes the pivot of criticism, the author analyzes basic themes, outlines the Vergilian structure, and indicates the way in which the characters and the events concerning them are related to the whole poem. The author shows how Vergil enlarged upon Homeric similes until they became transparent signs for inner events. He also examines the architecturally structured sequence of mood and argues that, since Vergil, mood has become to poetry what light is to painting. |
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Page 8
Here , indeed , the concept of perfection excludes by definition the concept of originality ! Not surprisingly , therefore , the Romans were the first to fashion the " Classical " concept as one of “ standard ” and to make it bear fruit ...
Here , indeed , the concept of perfection excludes by definition the concept of originality ! Not surprisingly , therefore , the Romans were the first to fashion the " Classical " concept as one of “ standard ” and to make it bear fruit ...
Page 30
... same time he wanted to give symbolic expression to his concept of war as a creation of Hell , a godless crime and sinful mania.27 For such a presentation he could borrow nothing of value from Homer to whom this concept was alien .
... same time he wanted to give symbolic expression to his concept of war as a creation of Hell , a godless crime and sinful mania.27 For such a presentation he could borrow nothing of value from Homer to whom this concept was alien .
Page 100
If only someone would dare to discard the concept and even the word , identical as it has become with all those false concepts , and to put truth in its place , as is only fair ! " Rather than banishing Homer's realism from his work ...
If only someone would dare to discard the concept and even the word , identical as it has become with all those false concepts , and to put truth in its place , as is only fair ! " Rather than banishing Homer's realism from his work ...
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Common terms and phrases
Achilles action Aeneas Aeneid already appears arms attitude basic battle beauty becomes beginning character comes compared completely concept connected contrast course dark death decision demonic described destiny Dido Dido's divine effect epic example expression eyes face fact fall fate feeling fight figure final followed force gesture give glory gods grandeur Greek grief hand heart Hector Heinze hero Homer human idea Iliad important inner interpretation Italian Italy Juno Jupiter Latinus less light longing meaning mood motif movement moving nature passion poem poet poetic poetry present proem queen reason refers represents result rises Roman says scene sense sequence Servius shown shows simile situation sorrow soul speech storm story strength suffering symbol thought tion tragedy tragic Trojan true Turnus Venus Vergil verses waves whole winds
Bibliographic information
| Title | The Art of Vergil: Image and Symbol in the Aeneid Volume 117 of Ann Arbor paperbacks University of Michigan classics |
| Author | Viktor Pöschl |
| Edition | illustrated, reprint |
| Publisher | University of Michigan Press, 1970 |
| Original from | the University of California |
| Digitized | 27 Feb 2008 |
| ISBN | 0472061704, 9780472061709 |
| Length | 216 pages |
| Export Citation | BiBTeX EndNote RefMan |