The Art of Vergil: Image and Symbol in the AeneidIn a discussion in which a comparison of Vergil and Homer becomes the pivot of criticism, the author analyzes basic themes, outlines the Vergilian structure, and indicates the way in which the characters and the events concerning them are related to the whole poem. The author shows how Vergil enlarged upon Homeric similes until they became transparent signs for inner events. He also examines the architecturally structured sequence of mood and argues that, since Vergil, mood has become to poetry what light is to painting. |
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Page 115
All that is significant about him comes from Achilles . From Hector comes only the delusion and the exterior points of his career such as his break through the walls , the burning of the ships , the leave - taking , and the defeat ...
All that is significant about him comes from Achilles . From Hector comes only the delusion and the exterior points of his career such as his break through the walls , the burning of the ships , the leave - taking , and the defeat ...
Page 158
The high point comes exactly in the middle : “ Vi superum , saevae memorem Iunonis ob iram . " The next part , " Urbs antiqua fuit " through " Tantae molis erat , " shows a similar architecture . After the quiet epical start ...
The high point comes exactly in the middle : “ Vi superum , saevae memorem Iunonis ob iram . " The next part , " Urbs antiqua fuit " through " Tantae molis erat , " shows a similar architecture . After the quiet epical start ...
Page 170
Then comes the forging of the hero's armor . The narrative gains momentum in the following scene until Aeneas is declared the leader of the Italians . In the grievous sorrow of war ( VII.520 ff . ) and the premonition of Pallas ' awful ...
Then comes the forging of the hero's armor . The narrative gains momentum in the following scene until Aeneas is declared the leader of the Italians . In the grievous sorrow of war ( VII.520 ff . ) and the premonition of Pallas ' awful ...
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Common terms and phrases
Achilles action Aeneas Aeneid already appears arms attitude basic battle beauty becomes beginning character comes compared completely concept connected contrast course dark death decision demonic described destiny Dido Dido's divine effect epic example expression eyes face fact fall fate feeling fight figure final followed force gesture give glory gods grandeur Greek grief hand heart Hector Heinze hero Homer human idea Iliad important inner interpretation Italian Italy Juno Jupiter Latinus less light longing meaning mood motif movement moving nature passion poem poet poetic poetry present proem queen reason refers represents result rises Roman says scene sense sequence Servius shown shows simile situation sorrow soul speech storm story strength suffering symbol thought tion tragedy tragic Trojan true Turnus Venus Vergil verses waves whole winds
Bibliographic information
| Title | The Art of Vergil: Image and Symbol in the Aeneid Volume 117 of Ann Arbor paperbacks University of Michigan classics |
| Author | Viktor Pöschl |
| Edition | illustrated, reprint |
| Publisher | University of Michigan Press, 1970 |
| Original from | the University of California |
| Digitized | 27 Feb 2008 |
| ISBN | 0472061704, 9780472061709 |
| Length | 216 pages |
| Export Citation | BiBTeX EndNote RefMan |