The Art of Vergil: Image and Symbol in the AeneidIn a discussion in which a comparison of Vergil and Homer becomes the pivot of criticism, the author analyzes basic themes, outlines the Vergilian structure, and indicates the way in which the characters and the events concerning them are related to the whole poem. The author shows how Vergil enlarged upon Homeric similes until they became transparent signs for inner events. He also examines the architecturally structured sequence of mood and argues that, since Vergil, mood has become to poetry what light is to painting. |
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Page 16
As the action is in the highest sense carried out between Jupiter and Juno , the first unit of the Aeneid is framed by the appearances of the two major divinities . The composition is expression of a fact , the balance of scenes is ...
As the action is in the highest sense carried out between Jupiter and Juno , the first unit of the Aeneid is framed by the appearances of the two major divinities . The composition is expression of a fact , the balance of scenes is ...
Page 65
In Vergil's similes the inner action continues in the emotions of the persons involved . To a much greater degree than Homer's , Vergil's similes are transparent signs for inner events . Although it constitutes only a special case of ...
In Vergil's similes the inner action continues in the emotions of the persons involved . To a much greater degree than Homer's , Vergil's similes are transparent signs for inner events . Although it constitutes only a special case of ...
Page 81
In both cases , tragic action is introduced by a pathetic and dramatic scene and is thereby symbolically anticipated . Just as in a Greek temple where the proportion and form determining the whole are repeated in the sections , or in a ...
In both cases , tragic action is introduced by a pathetic and dramatic scene and is thereby symbolically anticipated . Just as in a Greek temple where the proportion and form determining the whole are repeated in the sections , or in a ...
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Achilles action Aeneas Aeneid already appears arms attitude basic battle beauty becomes beginning character comes compared completely concept connected contrast course dark death decision demonic described destiny Dido Dido's divine effect epic example expression eyes face fact fall fate feeling fight figure final followed force gesture give glory gods grandeur Greek grief hand heart Hector Heinze hero Homer human idea Iliad important inner interpretation Italian Italy Juno Jupiter Latinus less light longing meaning mood motif movement moving nature passion poem poet poetic poetry present proem queen reason refers represents result rises Roman says scene sense sequence Servius shown shows simile situation sorrow soul speech storm story strength suffering symbol thought tion tragedy tragic Trojan true Turnus Venus Vergil verses waves whole winds