The Art of Vergil: Image and Symbol in the AeneidIn a discussion in which a comparison of Vergil and Homer becomes the pivot of criticism, the author analyzes basic themes, outlines the Vergilian structure, and indicates the way in which the characters and the events concerning them are related to the whole poem. The author shows how Vergil enlarged upon Homeric similes until they became transparent signs for inner events. He also examines the architecturally structured sequence of mood and argues that, since Vergil, mood has become to poetry what light is to painting. |
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Page 84
rationalism of Servius and his modern successors . The reference to the torches of the Eumenides can least of all be excluded ( as proposed by Servius Danielis ) . Servius ' reference to the ignes sociorum is utterly artificial if ( as ...
rationalism of Servius and his modern successors . The reference to the torches of the Eumenides can least of all be excluded ( as proposed by Servius Danielis ) . Servius ' reference to the ignes sociorum is utterly artificial if ( as ...
Page 139
CHAPTER III ARTISTIC PRINCIPLES SYMBOLISM OF THE SEQUENCE OF MOOD Concerning line 183 of the eleventh book of the Aeneid , Servius writes : " Asinius Pollio says that in describing a day Vergil always uses a particular phrase which ...
CHAPTER III ARTISTIC PRINCIPLES SYMBOLISM OF THE SEQUENCE OF MOOD Concerning line 183 of the eleventh book of the Aeneid , Servius writes : " Asinius Pollio says that in describing a day Vergil always uses a particular phrase which ...
Page 151
Georgii , influenced by Servius for better or for worse , remarks in Aeneiskritik ( p . 99 ) : " Ancient criticism of Vergil would have been very blunt indeed - as blunt as it was sharp , not to attack the boring song of Iopas .
Georgii , influenced by Servius for better or for worse , remarks in Aeneiskritik ( p . 99 ) : " Ancient criticism of Vergil would have been very blunt indeed - as blunt as it was sharp , not to attack the boring song of Iopas .
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Achilles action Aeneas Aeneid already appears arms attitude basic battle beauty becomes beginning character comes compared completely concept connected contrast course dark death decision demonic described destiny Dido Dido's divine effect epic example expression eyes face fact fall fate feeling fight figure final followed force gesture give glory gods grandeur Greek grief hand heart Hector Heinze hero Homer human idea Iliad important inner interpretation Italian Italy Juno Jupiter Latinus less light longing meaning mood motif movement moving nature passion poem poet poetic poetry present proem queen reason refers represents result rises Roman says scene sense sequence Servius shown shows simile situation sorrow soul speech storm story strength suffering symbol thought tion tragedy tragic Trojan true Turnus Venus Vergil verses waves whole winds