The Art of Vergil: Image and Symbol in the AeneidIn a discussion in which a comparison of Vergil and Homer becomes the pivot of criticism, the author analyzes basic themes, outlines the Vergilian structure, and indicates the way in which the characters and the events concerning them are related to the whole poem. The author shows how Vergil enlarged upon Homeric similes until they became transparent signs for inner events. He also examines the architecturally structured sequence of mood and argues that, since Vergil, mood has become to poetry what light is to painting. |
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Page 105
Vergil's positive attitude toward the Italians ( clearly seen in the description ) is most explicitly pronounced in ... The tragic conception 29 of this and his intention of duly emphasizing Italy's share in Rome's grandeur ( a goal ...
Vergil's positive attitude toward the Italians ( clearly seen in the description ) is most explicitly pronounced in ... The tragic conception 29 of this and his intention of duly emphasizing Italy's share in Rome's grandeur ( a goal ...
Page 123
Still , this does not impair the poet's admiration of Turnus , who represents Italy in its original power - before any contact with a higher ideal . Roman grandeur springs from two elements , both of which are necessary and valuable ...
Still , this does not impair the poet's admiration of Turnus , who represents Italy in its original power - before any contact with a higher ideal . Roman grandeur springs from two elements , both of which are necessary and valuable ...
Page 169
The glittering figure of the Volscian queen represents the entire splendor and strength of Italy . ... The catalogue and the book as a simile of the Italian shepherds rising to battle are concluded in the spear - tipped myrtle : " et ...
The glittering figure of the Volscian queen represents the entire splendor and strength of Italy . ... The catalogue and the book as a simile of the Italian shepherds rising to battle are concluded in the spear - tipped myrtle : " et ...
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Common terms and phrases
Achilles action Aeneas Aeneid already appears arms attitude basic battle beauty becomes beginning character comes compared completely concept connected contrast course dark death decision demonic described destiny Dido Dido's divine effect epic example expression eyes face fact fall fate feeling fight figure final followed force gesture give glory gods grandeur Greek grief hand heart Hector Heinze hero Homer human idea Iliad important inner interpretation Italian Italy Juno Jupiter Latinus less light longing meaning mood motif movement moving nature passion poem poet poetic poetry present proem queen reason refers represents result rises Roman says scene sense sequence Servius shown shows simile situation sorrow soul speech storm story strength suffering symbol thought tion tragedy tragic Trojan true Turnus Venus Vergil verses waves whole winds
Bibliographic information
| Title | The Art of Vergil: Image and Symbol in the Aeneid Volume 117 of Ann Arbor paperbacks University of Michigan classics |
| Author | Viktor Pöschl |
| Edition | illustrated, reprint |
| Publisher | University of Michigan Press, 1970 |
| Original from | the University of California |
| Digitized | 27 Feb 2008 |
| ISBN | 0472061704, 9780472061709 |
| Length | 216 pages |
| Export Citation | BiBTeX EndNote RefMan |