An Analytical Inquiry Into the Principles of Taste |
From inside the book
Results 1-5 of 56
Page v
... Animals . 7. In Mankind . 8. Expression in Music . 9. Articulate Sounds . 10. Verse . 11. Compared with Music . 12. Measure and Quantity . 13. How violated in the dead Languages . 14. How far addressed to organic Sense . 15. Musical and ...
... Animals . 7. In Mankind . 8. Expression in Music . 9. Articulate Sounds . 10. Verse . 11. Compared with Music . 12. Measure and Quantity . 13. How violated in the dead Languages . 14. How far addressed to organic Sense . 15. Musical and ...
Page vi
... Animals . 14. In Buildings , Gardens , Pieces of Water , & c . 15. Neatness . 16. General Principles of visible Beauty . 17. Illustrated by particular Instances . Deceptions of Sight . 18. Mixed Qualities and Sensations - how separated ...
... Animals . 14. In Buildings , Gardens , Pieces of Water , & c . 15. Neatness . 16. General Principles of visible Beauty . 17. Illustrated by particular Instances . Deceptions of Sight . 18. Mixed Qualities and Sensations - how separated ...
Page x
... Animals . 45. In the Orders of Architecture . 46. Its Reasons . 47. Its Origin and Progress . 48. Refinement and Excess - opposed to the Gothic Prin- ciple of Contrast . 49. Scale , by which the Eye Measures . 50. Consequent Effects of ...
... Animals . 45. In the Orders of Architecture . 46. Its Reasons . 47. Its Origin and Progress . 48. Refinement and Excess - opposed to the Gothic Prin- ciple of Contrast . 49. Scale , by which the Eye Measures . 50. Consequent Effects of ...
Page xi
... In inanimate as well as animal Bodies . 86. Dignity and Elegance , wherein different . 87. Dancing . 88. Grace of Savages.- 89. Of the Greeks . 1 『 ༧ , ནི ཏི མ ༎ هیم " 90. Lines of Grace . 91. Spiral Columns , scooped 2 CONTENTS . xi.
... In inanimate as well as animal Bodies . 86. Dignity and Elegance , wherein different . 87. Dancing . 88. Grace of Savages.- 89. Of the Greeks . 1 『 ༧ , ནི ཏི མ ༎ هیم " 90. Lines of Grace . 91. Spiral Columns , scooped 2 CONTENTS . xi.
Page xii
... Animals or other Objects . 109. Gradual Diminution or Tapering . 110. General Rules . Limpe of pretty 111. In Morals . 112. Affections . Abstract Principles . 113. Their Effects . 114. Whether negative or affirmative . 115. In Taste and ...
... Animals or other Objects . 109. Gradual Diminution or Tapering . 110. General Rules . Limpe of pretty 111. In Morals . 112. Affections . Abstract Principles . 113. Their Effects . 114. Whether negative or affirmative . 115. In Taste and ...
Contents
9 | |
10 | |
11 | |
12 | |
13 | |
14 | |
15 | |
16 | |
17 | |
18 | |
19 | |
20 | |
21 | |
22 | |
23 | |
24 | |
25 | |
26 | |
27 | |
28 | |
29 | |
30 | |
31 | |
32 | |
33 | |
34 | |
35 | |
36 | |
40 | |
41 | |
42 | |
43 | |
44 | |
45 | |
46 | |
47 | |
48 | |
49 | |
51 | |
52 | |
53 | |
54 | |
55 | |
57 | |
58 | |
59 | |
60 | |
61 | |
62 | |
63 | |
64 | |
65 | |
66 | |
75 | |
76 | |
77 | |
78 | |
79 | |
80 | |
81 | |
82 | |
83 | |
84 | |
85 | |
86 | |
87 | |
88 | |
89 | |
90 | |
91 | |
92 | |
93 | |
94 | |
95 | |
96 | |
97 | |
98 | |
99 | |
101 | |
102 | |
103 | |
104 | |
105 | |
106 | |
107 | |
108 | |
109 | |
110 | |
111 | |
112 | |
113 | |
114 | |
115 | |
116 | |
117 | |
118 | |
119 | |
132 | |
134 | |
198 | |
208 | |
270 | |
272 | |
292 | |
359 | |
436 | |
Other editions - View all
Common terms and phrases
acquired Æneid afford animals appear arises artist association of ideas blime body called cause CHAP character colours composition consequently delight disgusting display effect elegance employed equally excite expression faculty feeling felt forms fræna GEORGIC gratification Grecian Greek habit hearing human idiom Iliad Imagina imitation impressions improved Perception inquiry instances intellectual intercolumniations irregular Judg kind language less light and shadow mankind means ment mental sympathies merely metre mind modes nature neral never nevertheless notion observed olfactory nerves organs of sense pain painters painting Paradise Lost passions pathies perceived perfect perly person picturesque pleasing pleasure poet poetry polished languages principle produced proportion propriety prosody qualities quantity racter Rembrandt laughed sculpture sensation sensibility sensual sentiments sexual Sight Sir Joshua Reynolds smell soever sound species spects style Sublime and Beautiful sweet syllables taste thing tints tion Titian tone touch turally ture variety verse visible whence