The Plays of William Shakespeare ...J. Johnson, 1803 |
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Page 8
... these newes , " & c . MALONE . Take in & c . ] i . e . fubdue , conquer . See Vol . IX . p . 374 , n . 9 ; and Vol . XVI . p . 27 , n . 9. REED . 2 Where's Fulvia's process ? ] Process here means fummons . M. MASON . " The writings of ...
... these newes , " & c . MALONE . Take in & c . ] i . e . fubdue , conquer . See Vol . IX . p . 374 , n . 9 ; and Vol . XVI . p . 27 , n . 9. REED . 2 Where's Fulvia's process ? ] Process here means fummons . M. MASON . " The writings of ...
Page 14
... these plays has taught me to place no confidence in such obfervations ; for from fome book or other of the age , I have no doubt almoft every combination of words that may be found in our author , however uncouth it may ap- pear to our ...
... these plays has taught me to place no confidence in such obfervations ; for from fome book or other of the age , I have no doubt almoft every combination of words that may be found in our author , however uncouth it may ap- pear to our ...
Page 42
... These three world - sharers , these competitors , " Are in thy vessel . " And again , Cæfar , speaking of Antony , fays- " That thou , my brother , my competitor , " In top of all design , my mate in empire . " M. MASON . The lamps of ...
... These three world - sharers , these competitors , " Are in thy vessel . " And again , Cæfar , speaking of Antony , fays- " That thou , my brother , my competitor , " In top of all design , my mate in empire . " M. MASON . The lamps of ...
Page 44
... these things cannot blemish , 7 ) yet must An- tony fcintillations appear stronger in consequence of darkness , as jewels are more resplendent on a black ground than on any other . That the prominence and splendour of the stars were ...
... these things cannot blemish , 7 ) yet must An- tony fcintillations appear stronger in consequence of darkness , as jewels are more resplendent on a black ground than on any other . That the prominence and splendour of the stars were ...
Page 68
... these words and the conclufion of the paffage " you were the word of war : i.e. your name was em- ployed by them to draw troops to their standard ? " On the other hand , " their conteftation derived its theme or fubject from you ; you ...
... these words and the conclufion of the paffage " you were the word of war : i.e. your name was em- ployed by them to draw troops to their standard ? " On the other hand , " their conteftation derived its theme or fubject from you ; you ...
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Common terms and phrases
alſo anſwer Antony becauſe beſt better buſineſs Cæfar cauſe CHAR Charmian CLEO Cleopatra Cordelia Cymbeline daughters Edgar Edmund Enobarbus Enter Eros Exeunt expreffion eyes faid fame father fays feem fifter fignifies firſt folio fome fool fuch fure Glofter Goneril Hanmer hath heart honour horſe houſe itſelf JOHNSON juſt KENT King Henry King Lear laſt LEAR leſs lord madam MALONE Mark Antony MASON maſter means Meſſenger moſt muſt myſelf o'the obſerved occafion old copy omitted paffage paſſage perſon phrafe play pleaſe Plutarch Pompey preſent purpoſe quartos quartos read queen reaſon Regan ſame ſays ſcene ſecond ſeems ſeen ſenſe Shakſpeare Shakſpeare's ſhall ſhe ſhould ſhow ſome ſpeak ſpeech ſpirit ſtand ſtate STEEVENS ſtill ſtrange ſubject ſuch ſuppoſe ſword thee THEOBALD theſe theſe words thoſe thou Timon of Athens tranflation uſed WARBURTON whoſe