The Plays of William Shakespeare ...J. Johnson, 1803 |
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Page 6
... seems to be wanting . The bellows and fan being commonly used for contrary purposes , were probably opposed by the author , who might perhaps have written : - is become the bellows , and the fan , To kindle and to cool a gypsy's luft ...
... seems to be wanting . The bellows and fan being commonly used for contrary purposes , were probably opposed by the author , who might perhaps have written : - is become the bellows , and the fan , To kindle and to cool a gypsy's luft ...
Page 9
... seems to have been applied , in a peculiar sense , to mason - work , in our author's time . So , in Spenser's Fairy Queen , В. ІІ . с . іх : " It was a vault y - built for great difpence , " With many raunges rear'd along the wall ...
... seems to have been applied , in a peculiar sense , to mason - work , in our author's time . So , in Spenser's Fairy Queen , В. ІІ . с . іх : " It was a vault y - built for great difpence , " With many raunges rear'd along the wall ...
Page 10
... seems to have the old Saxon fignification of without , unless , except . Antony , says the queen , will recollect his thoughts . Unless kept , he replies , in commotion by Cleopatra . JOHNSON . What could Cleopatra mean by saying Antony ...
... seems to have the old Saxon fignification of without , unless , except . Antony , says the queen , will recollect his thoughts . Unless kept , he replies , in commotion by Cleopatra . JOHNSON . What could Cleopatra mean by saying Antony ...
Page 11
... Seems to cry out , " & c . See Vol . IV . p . 74. Again , in Cymbeline , Act I. sc . vii : 66 - this hand , whose touch , " Whose every touch " & c . The fame expreffion occurs again in another play , but I have lost my reference to it ...
... Seems to cry out , " & c . See Vol . IV . p . 74. Again , in Cymbeline , Act I. sc . vii : 66 - this hand , whose touch , " Whose every touch " & c . The fame expreffion occurs again in another play , but I have lost my reference to it ...
Page 36
... seems to allude to the legal diftinction between the use and absolute poffeffion . JOHNSON . The fame phrafe has already occurred in The Merchant of Venice : 7 " I am content , fo he will let me have " The other half in use ...
... seems to allude to the legal diftinction between the use and absolute poffeffion . JOHNSON . The fame phrafe has already occurred in The Merchant of Venice : 7 " I am content , fo he will let me have " The other half in use ...
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alſo anſwer Antony becauſe beſt better buſineſs Cæfar cauſe CHAR Charmian CLEO Cleopatra Cordelia Cymbeline daughters Edgar Edmund Enobarbus Enter Eros Exeunt expreffion eyes faid fame father fays feem fifter fignifies firſt folio fome fool fuch fure Glofter Goneril Hanmer hath heart honour horſe houſe itſelf JOHNSON juſt KENT King Henry King Lear laſt LEAR leſs lord madam MALONE Mark Antony MASON maſter means Meſſenger moſt muſt myſelf o'the obſerved occafion old copy omitted paffage paſſage perſon phrafe play pleaſe Plutarch Pompey preſent purpoſe quartos quartos read queen reaſon Regan ſame ſays ſcene ſecond ſeems ſeen ſenſe Shakſpeare Shakſpeare's ſhall ſhe ſhould ſhow ſome ſpeak ſpeech ſpirit ſtand ſtate STEEVENS ſtill ſtrange ſubject ſuch ſuppoſe ſword thee THEOBALD theſe theſe words thoſe thou Timon of Athens tranflation uſed WARBURTON whoſe