Communicative Reading |
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Page 46
... eyes . Avoid bobbing your head when referring to the book . You must learn to read ahead in order to look up from the manuscript as much as possible . If you are reading to a small group , establish eye contact with as many individuals ...
... eyes . Avoid bobbing your head when referring to the book . You must learn to read ahead in order to look up from the manuscript as much as possible . If you are reading to a small group , establish eye contact with as many individuals ...
Page 339
... eyes . In the bright light above his bed , he looked pale and thin ; I wondered how it felt to die . The doctors moved anxiously about the bedside , con- ferring with the nurses and with each other ; but they did not seem to agree with ...
... eyes . In the bright light above his bed , he looked pale and thin ; I wondered how it felt to die . The doctors moved anxiously about the bedside , con- ferring with the nurses and with each other ; but they did not seem to agree with ...
Page 444
... eyes like dirt . His puffed - out cheeks were fish - belly white , He had great long teeth , and an appetite . He ate raw meat , ' most every meal , 107 And rolled his eyes till the cat would squeal . His fist 108 was an enormous size ...
... eyes like dirt . His puffed - out cheeks were fish - belly white , He had great long teeth , and an appetite . He ate raw meat , ' most every meal , 107 And rolled his eyes till the cat would squeal . His fist 108 was an enormous size ...
Contents
Communicating with the Audience | 3 |
FINDING THE MEANING | 18 |
Discovering the Nature of Meaning | 65 |
Copyright | |
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action aloud appreciation audience beauty become beginning bells body breath Carl Sandburg Chapter character communication Company Copyright course dark death determine effective emotional emphasize employ example experience expression eyes face feel give hand head hear HELEN ideas images important interesting interpretative John kind light lines listeners literature live look loudness Masters material meaning mind move nature never night oral pause perhaps permission person pitch play poem poet poetry practice prose reader reading Reprinted resonance response seems selection sense sentence sometimes sound speaker speaking speech stand step story student suggest sure symbols tell things thought touch turned understand verse visible vocal voice wall whole words writing York