Communicative Reading |
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Page 47
... become ludicrous in such circumstances . How else might you read it ? By reading in such a way as to suggest that you and your listeners are in your imagination - listening to one of the greatest expressions of love ever to be recorded ...
... become ludicrous in such circumstances . How else might you read it ? By reading in such a way as to suggest that you and your listeners are in your imagination - listening to one of the greatest expressions of love ever to be recorded ...
Page 151
... becomes a distraction from your purpose and con- stitutes negative visible action . Techniques of speech must never call atten- tion to themselves . When they do , the techniques have become liabilities , not assets . So it is with ...
... becomes a distraction from your purpose and con- stitutes negative visible action . Techniques of speech must never call atten- tion to themselves . When they do , the techniques have become liabilities , not assets . So it is with ...
Page 400
... becomes inspired and his words become eloquent , rhythmical , figurative , " the best words in the best order ” ; and a phrase , sentence , or a longer passage suddenly becomes sheer poetry . What is verse ? Verse is a highly structured ...
... becomes inspired and his words become eloquent , rhythmical , figurative , " the best words in the best order ” ; and a phrase , sentence , or a longer passage suddenly becomes sheer poetry . What is verse ? Verse is a highly structured ...
Contents
Communicating with the Audience | 3 |
FINDING THE MEANING | 18 |
Discovering the Nature of Meaning | 65 |
Copyright | |
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action aloud appreciation audience beauty become beginning bells body breath Carl Sandburg Chapter character communication Company Copyright course dark death determine effective emotional emphasize employ example experience expression eyes face feel give hand head hear HELEN ideas images important interesting interpretative John kind light lines listeners literature live look loudness Masters material meaning mind move nature never night oral pause perhaps permission person pitch play poem poet poetry practice prose reader reading Reprinted resonance response seems selection sense sentence sometimes sound speaker speaking speech stand step story student suggest sure symbols tell things thought touch turned understand verse visible vocal voice wall whole words writing York