Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
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Page 117
... whole and , as it were , original , while those of almost all other writers are mere imitation , it may be fit to consider them rather as Historic than Dramatic beings ; and when occasion requires , to account for their conduct from the ...
... whole and , as it were , original , while those of almost all other writers are mere imitation , it may be fit to consider them rather as Historic than Dramatic beings ; and when occasion requires , to account for their conduct from the ...
Page 125
... whole . All I can undertake to say is that to me it is grossly improbable that the great popular Elizabethan dramatist deliberately undertook to present inconsistency , a riddle in character , at all . Even to - day there is not much ...
... whole . All I can undertake to say is that to me it is grossly improbable that the great popular Elizabethan dramatist deliberately undertook to present inconsistency , a riddle in character , at all . Even to - day there is not much ...
Page 126
... whole course of the action , for that matter , which is duly marked and fin- gerposted with comment upon the characters or their conduct , with anticipations ( by means of omens or fore- bodings , predictions or curses ) instead of ...
... whole course of the action , for that matter , which is duly marked and fin- gerposted with comment upon the characters or their conduct , with anticipations ( by means of omens or fore- bodings , predictions or curses ) instead of ...
Contents
The academic somewhat apologetic attitude of Shake | 3 |
the device in Terence and Plautus 9 In sixteenth | 12 |
CHAPTER II | 36 |
Copyright | |
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Common terms and phrases
actor Ęschylus Antony appears artist audience Banquo Bessus Bradley Brutus Cęsar century chapter character Cleopatra clown comedy Comedy of Manners comic conscience contrast coward cowardice Creizenach cries criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce ghost Hamlet hand heart Henry hero honour human humour Iago Iago's imagination irony Jonson Julius Cęsar King King Lear Lady Macbeth laugh Lear less literature matter means Merchant of Venice mind modern Moličre moral Morgann motives murder nature Othello passion person Plautus play poet poetry popular present Prince reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense sentiment Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare spirit stage story Stratford superstition thing thou thought tion to-day tragedy tragic turn usury verse villain words writing wrote