Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
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Page 121
... turn , we have seen , to the interpretation , but there is a literal turn as well . The dramatic character , though a mystery , is also supposed to be a ' copy ' of life - the ' astral body ' of it , shall we say ? —and you may pass ...
... turn , we have seen , to the interpretation , but there is a literal turn as well . The dramatic character , though a mystery , is also supposed to be a ' copy ' of life - the ' astral body ' of it , shall we say ? —and you may pass ...
Page 190
... turn the ghost into an hallucination or symbol . To trace this development , whether in Shakespeare or the Elizabethan drama generally , is not our present affair . Thus much has been said of it to explain the difference in effect ...
... turn the ghost into an hallucination or symbol . To trace this development , whether in Shakespeare or the Elizabethan drama generally , is not our present affair . Thus much has been said of it to explain the difference in effect ...
Page 448
... turn all to a merriment . ' They are laughed at ; but also they turn the laugh . Of Bobadill this cannot be said when , bidden to draw , he cries out , ' Tall man , I never thought on it till now - Body of me ; I had a warrant of the ...
... turn all to a merriment . ' They are laughed at ; but also they turn the laugh . Of Bobadill this cannot be said when , bidden to draw , he cries out , ' Tall man , I never thought on it till now - Body of me ; I had a warrant of the ...
Contents
The academic somewhat apologetic attitude of Shake | 3 |
the device in Terence and Plautus 9 In sixteenth | 12 |
CHAPTER II | 36 |
Copyright | |
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actor Æschylus Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown comedy Comedy of Manners comic conscience contrast coward cowardice Creizenach cries criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce ghost Hamlet hand heart Henry hero honour human humour Iago Iago's imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello passion person Plautus play poet poetry popular present Prince reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense sentiment Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare spirit stage story Stratford superstition thing thou thought tion to-day tragedy tragic turn usury verse villain words writing wrote