Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
From inside the book
Results 1-3 of 30
Page 388
... soliloquy , as I have elsewhere shown , or the confidence imparted to an accomplice , is the clue given to the audience , and must be the truth itself . There must even the liar speak true , and it is to knock the props from under ...
... soliloquy , as I have elsewhere shown , or the confidence imparted to an accomplice , is the clue given to the audience , and must be the truth itself . There must even the liar speak true , and it is to knock the props from under ...
Page 390
... soliloquies , and in his conversations with Roderigo , which save in what really concerns this silly gentleman are ... soliloquy is to be relied upon , he declares some of his motives to be bona fide , others bona fide for the moment ...
... soliloquies , and in his conversations with Roderigo , which save in what really concerns this silly gentleman are ... soliloquy is to be relied upon , he declares some of his motives to be bona fide , others bona fide for the moment ...
Page 468
... soliloquy . A man does not banter himself , does not address himself with his tongue in his cheek - ' c'est qu'il est par trop contre nature qu'un homme se moque si clairement de soi - même ' ; but on the stage both in those times and ...
... soliloquy . A man does not banter himself , does not address himself with his tongue in his cheek - ' c'est qu'il est par trop contre nature qu'un homme se moque si clairement de soi - même ' ; but on the stage both in those times and ...
Contents
The academic somewhat apologetic attitude of Shake | 3 |
the device in Terence and Plautus 9 In sixteenth | 12 |
CHAPTER II | 36 |
Copyright | |
8 other sections not shown
Other editions - View all
Common terms and phrases
actor Æschylus Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown comedy Comedy of Manners comic conscience contrast coward cowardice Creizenach cries criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce ghost Hamlet hand heart Henry hero honour human humour Iago Iago's imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello passion person Plautus play poet poetry popular present Prince reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense sentiment Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare spirit stage story Stratford superstition thing thou thought tion to-day tragedy tragic turn usury verse villain words writing wrote