Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
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Page 98
... questions , no problems , not even the question of questions , the problem of sex . In particular , as long ago Coleridge pointed out , ' keeping at all times in the high road of life Shakespeare has no innocent adulteries , no ...
... questions , no problems , not even the question of questions , the problem of sex . In particular , as long ago Coleridge pointed out , ' keeping at all times in the high road of life Shakespeare has no innocent adulteries , no ...
Page 303
... question whether Shy- lock is also pathetic , we must consider some fundamental principles , too much ignored : 1. That the interpretation of literature - and of drama even more - is , as we have seen , mainly a study in emphasis . 2 ...
... question whether Shy- lock is also pathetic , we must consider some fundamental principles , too much ignored : 1. That the interpretation of literature - and of drama even more - is , as we have seen , mainly a study in emphasis . 2 ...
Page 331
... question in a play where the Jew's story is , and is meant to be , but an episode . That question , or the slavery question , which Pro- fessor Jastrow -not Shylock - raises , or the sex ques- tion , or any other , as has been seen ...
... question in a play where the Jew's story is , and is meant to be , but an episode . That question , or the slavery question , which Pro- fessor Jastrow -not Shylock - raises , or the sex ques- tion , or any other , as has been seen ...
Contents
The academic somewhat apologetic attitude of Shake | 3 |
the device in Terence and Plautus 9 In sixteenth | 12 |
CHAPTER II | 36 |
Copyright | |
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actor Æschylus Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown comedy Comedy of Manners comic conscience contrast coward cowardice Creizenach cries criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce ghost Hamlet hand heart Henry hero honour human humour Iago Iago's imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello passion person Plautus play poet poetry popular present Prince reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense sentiment Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare spirit stage story Stratford superstition thing thou thought tion to-day tragedy tragic turn usury verse villain words writing wrote