Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
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Page 101
... play after play , as if these constituted the central idea or theme and the plays were studies of the subject . Dramatic machin- ery - artistry - is what they are . All the devices mentioned are means of contrast , of simplification and ...
... play after play , as if these constituted the central idea or theme and the plays were studies of the subject . Dramatic machin- ery - artistry - is what they are . All the devices mentioned are means of contrast , of simplification and ...
Page 135
... play ; he undertakes the play , but next appears soliloquizing on suicide and saying not a word of play , ghost , or revenge ; he gives the play at last , but after it , though now convinced , spares the king at prayer and ' goes softly ...
... play ; he undertakes the play , but next appears soliloquizing on suicide and saying not a word of play , ghost , or revenge ; he gives the play at last , but after it , though now convinced , spares the king at prayer and ' goes softly ...
Page 263
... play for good before the fourth act was over ? It is a trick which he never repeated — a trick , I am persuaded , of which he was not capable . Hero or not , Shylock is given a villain's due . His is the heaviest penalty to be found in ...
... play for good before the fourth act was over ? It is a trick which he never repeated — a trick , I am persuaded , of which he was not capable . Hero or not , Shylock is given a villain's due . His is the heaviest penalty to be found in ...
Contents
The academic somewhat apologetic attitude of Shake | 3 |
the device in Terence and Plautus 9 In sixteenth | 12 |
CHAPTER II | 36 |
Copyright | |
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actor Æschylus Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown comedy Comedy of Manners comic conscience contrast coward cowardice Creizenach cries criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce ghost Hamlet hand heart Henry hero honour human humour Iago Iago's imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello passion person Plautus play poet poetry popular present Prince reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense sentiment Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare spirit stage story Stratford superstition thing thou thought tion to-day tragedy tragic turn usury verse villain words writing wrote