Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
From inside the book
Results 1-3 of 72
Page 263
... never repeated — a trick , I am persuaded , of which he was not capable . Hero or not , Shylock is given a villain's due . His is the heaviest penalty to be found in all the pound of flesh stories , including that in Il Pecorone , which ...
... never repeated — a trick , I am persuaded , of which he was not capable . Hero or not , Shylock is given a villain's due . His is the heaviest penalty to be found in all the pound of flesh stories , including that in Il Pecorone , which ...
Page 270
... never fell upon our nation until now . I never felt it till now . ' Such is his love of his race , which , Pro- fessor Raleigh says , is ' deep as life ' . " And in the next breath he cries , as ' the affectionate father ' : ' Two ...
... never fell upon our nation until now . I never felt it till now . ' Such is his love of his race , which , Pro- fessor Raleigh says , is ' deep as life ' . " And in the next breath he cries , as ' the affectionate father ' : ' Two ...
Page 456
... never looks like failure , or honour like dishonour , and for him and his audience it is not a humorous thing to keep one's humour hid . Perhaps there was never a more bewildering transformation in the history of criticism than this of ...
... never looks like failure , or honour like dishonour , and for him and his audience it is not a humorous thing to keep one's humour hid . Perhaps there was never a more bewildering transformation in the history of criticism than this of ...
Contents
The academic somewhat apologetic attitude of Shake | 3 |
the device in Terence and Plautus 9 In sixteenth | 12 |
CHAPTER II | 36 |
Copyright | |
8 other sections not shown
Other editions - View all
Common terms and phrases
actor Æschylus Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown comedy Comedy of Manners comic conscience contrast coward cowardice Creizenach cries criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce ghost Hamlet hand heart Henry hero honour human humour Iago Iago's imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello passion person Plautus play poet poetry popular present Prince reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense sentiment Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare spirit stage story Stratford superstition thing thou thought tion to-day tragedy tragic turn usury verse villain words writing wrote