Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
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Page 189
... merely by its presence - by its gestures and bloody wounds , and by the fate which its mere appearing bodes . In short , one has to make for itself a hearing ; the other may appeal to a witness and advocate dwelling within the victim's ...
... merely by its presence - by its gestures and bloody wounds , and by the fate which its mere appearing bodes . In short , one has to make for itself a hearing ; the other may appeal to a witness and advocate dwelling within the victim's ...
Page 342
... merely as the unfolding of a character but as a ' plot ' or ' intrigue . ' ' Con- spiracy ' the word at bottom means in the chief modern languages to this day , and a mere word can tell a tale . Dramatist and audience alike craved ...
... merely as the unfolding of a character but as a ' plot ' or ' intrigue . ' ' Con- spiracy ' the word at bottom means in the chief modern languages to this day , and a mere word can tell a tale . Dramatist and audience alike craved ...
Page 447
... merely to a desire not to raise a row in the town . Wycherley's Monsieur will not fight with his rival in love , for ... mere make - believe ? 14 . In what respects , now , do Falstaff's evasions differ from those of Bessus , Bobadill ...
... merely to a desire not to raise a row in the town . Wycherley's Monsieur will not fight with his rival in love , for ... mere make - believe ? 14 . In what respects , now , do Falstaff's evasions differ from those of Bessus , Bobadill ...
Contents
The academic somewhat apologetic attitude of Shake | 3 |
the device in Terence and Plautus 9 In sixteenth | 12 |
CHAPTER II | 36 |
Copyright | |
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actor Æschylus Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown comedy Comedy of Manners comic conscience contrast coward cowardice Creizenach cries criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce ghost Hamlet hand heart Henry hero honour human humour Iago Iago's imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello passion person Plautus play poet poetry popular present Prince reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense sentiment Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare spirit stage story Stratford superstition thing thou thought tion to-day tragedy tragic turn usury verse villain words writing wrote